MODA Digital wishes you a happy spring

Dear readers,

As flowers begin blooming and familiar faces populate the quad, we wanted to take this moment to wish you all a happy spring with a photoshoot collab we did with BITE.

Spring is for celebration

Ally, Nick, Nathan, and Trin grace us with their sweet treats

The cherry on top?

It’s getting hot outside :)

Your trusty Editor and Chief,

Sofia

This is a collab with BITE

invisible threads

Green was the color of the grass

Where I used to read at

Centennial Park 

I used to think I would meet someone there

Teal was the color of your shirt

When you were sixteen at the yogurt shop

You used to work at to make a little money

Time, curious time

Gave me no compasses, gave me no signs

Were there clues I didn’t see?

And isn’t it just so pretty to think

All along there was some 

Invisible string

Tying you to me?


Bad was the blood of the song in the cab

On your first trip to LA

You ate at my favorite spot for dinner

Bold was the waitress on our three-year trip

Getting lunch down by the Lakes

She said I looked like an American singer

invisible string, Taylor Swift, 2020.

You’re probably familiar with this track (and if not, please for the love of everything go listen to it!), and the premise behind it. And if you’re not, hopefully you just read the lyrics, but if you didn’t, Miss Swift is essentially singing about an “invisible string” that binds her with the subject of the song. Going back, she can identify experiences that connected them, even before they had met. This song has inspired a trend on TikTok right now as a derivative of what’s being described as “invisible string theory”, where people have been highlighting instances in which someone close to them in their life has had an experience that reflected some aspect of their own lives, or were literally in the same place, prior to when they met in the context of their current relationship. In simpler terms, the universe will keep you apart at all costs until you are meant to meet. For instance:

Per usual, the general trend provides a gross lack of awareness or credit to where the “theory” actually originates from. Rebranded as the invisible string theory, the red thread of fate (or the red string of fate, depending on where you are) is a story prevalent in East Asian mythologies that describes a physical connection that exists between two people destined to meet, fortified by an invisible, red thread. The thread may be tangled, stretched, twisted, or mangled, but the connection will always exist. The details (whether the thread is tied to a pinky finger or an ankle, etc.) is regionally dependent, but the core of the tale remains the same. You and your soulmate(s) are connected, right now. They could be walking around, right next to you, completely unaware of your significance. And you, of theirs. You could cross paths, at any moment, without even realizing it. You are not meant to meet yet.

It’s a concept that has compelled me since I was first introduced to it– and, in accordance with the videos under the trend in tandem with my own experiences, I believe it. Maybe the thread isn’t physical, or red, or perhaps there is no thread at all— but I do think that we share unbreakable, metaphysical connections with specific people throughout our lives, and that the people we are meant to know are meant to know us.

Funnily enough, someone very close to me in my life thinks all of this is bullshit (he tends to be cynical about things like this, concepts that are considered “spiritual”). He asked me why it mattered– what is the consequence of this mythological tale, this theory, being true? Or false, for that matter? And to be honest, I didn’t really have an answer. But I also don’t think it’s that black and white– just because its truth doesn’t “matter” on a universal level, doesn’t make it irrelevant, or totally insignificant, either.

At this point in life, there’s a lot of talk about the future, about what comes next. It’s a lot of new experiences, and a lot of change. You move away from familiarity to somewhere completely foreign, in the spirit of this great new chapter (you’re in your prime!) and have to construct your own life from the ground up for the first, but probably not the last, time. And with that comes excitement, yes. But also discomfort, and difficulty (with many things– do I wash these sheets on hot or cold? What actually is business casual?). I am not one to invite change with open arms. I can accept it yes, but the process isn’t something I enjoy. It feels unstable, unpredictable. It is out of my control, and that makes me uncomfortable.

So, when things seem especially unsure, I revert back to what’s familiar:

The sound of ocean waves crashing against a jutting cliff, the taste of rice and salt. Warm Vanilla Sugar, cardamom and cinnamon and kidney beans, fragrant, boiling on the stove, the dissonant sounds of a rehearsing pianist. Coffee in the morning, ginger in the evening, and lemons for the in-betweens. Distinct but distant chatter coming from the room down the hall, a shelf of art packed full, spilling over, shattering. A brush of fur against an ankle, oily hair and a kiss on the head, gentle fingers on backs and warm water on feet.

What brings me the most comfort though, perhaps, is the familiarity, the consistency, of people. My family, my friends. Regardless of what happens, there are a select bunch of people that I know are not going anywhere. And, according to the mythology, there is something innate, something subconscious, that will bind us together regardless of circumstance, and regardless of distance— unbreakable, metaphysical connections. And, perhaps even more intriguing, there are people that will be important to me, just walking around somewhere. Connections that will inevitably be forged, just waiting for the right moment. It’s a nice thought. Cheesy maybe, but nice. Comforting, in an age of change.

So for me, that’s why it matters— comfort. I think it’s just nice to think about the people in my life as a part of a makeshift web that follows me, present and connected. Just a single thread’s tug away, whenever I may need them, or they may need me. It’s also just interesting to think about when you truly met someone for the first time.

For example, the other day I had a friend over for dinner.

We had only met about four, maybe five months prior— I had never heard of her, and could not recall ever having seen her around before we had initially met. It was during a school program, of course, where all great relationships originate. We were eating shrimp pasta and sipping red wine, talking about our interests, our ambitions. She said she was a screenwriter. I tell her I am an artistic director, a producer, an editor. I ask her if she’s worked with the school’s film organization. She smiles. She says yes.

We realized that we had sat right next to each other— her right behind me— for six separate club meetings and a premiere over a year and a half prior. And this wasn’t some massive consulting club. We had definitely bumped into each other at those meetings, but one had just never perceived the other. Us connecting during that program was the unification of our thread. We were finally meant to meet.

In a way, this myth is just another way to say: “small world”, or even “everything happens for a reason”. That the people in your life are there for a purpose, coming and going as they are meant to in order to serve you best throughout the grand span of your lifetime. It kind of circles back to the idea that you are a “mosaic” of everyone you have ever met:

Your childhood best friend you always mimicked, whose favorite color is still yours. The permanent scar on your knee from when your family friends taught you to skateboard; they got divorced and moved away soon after, you haven’t spoken to them since. Despite being twenty years old you still tie your shoes the way your kindergarten teacher taught you— two bunny ears, wrapping around each other each other in a dance, into a bow. Using semicolons more often than you should, because your sixth grade English teacher loved them, and you loved her.

While the traditional mythology is typically associated with romantic soulmates, I like to think it extends past this. All of the people you have met and have stayed, did so for a reason— they all share an invisible thread with you, and you with them.

Anyways, regardless of the theory’s, the myth’s, validity, I encourage you to take a look at your own little *web of important people* in your life. Because you never know where your invisible strings, or red threads, may connect.


SHOOT CREDITS, AND SPECIAL THANKS TO:

Models: Sara Vetter + Arianna Wooten

Creative Direction & Photography: Riya Khetarpal + Spencer O’Brien

Styling, Editing, & Collaging: Riya Khetarpal

All images are courtesy of the author

I Know A Place

 

Valentine’s Day, the day of love. Too bad we can’t love and be loved on any other day of the year, right?

Just kidding, promise. We’re fun around here.

College is prime-time for dating, and there’s something so vulnerable about being The Date Planner. The stakes are high (or low, depending on what you’re looking for). Location is a symbol of sincerity, of “how into me are you, really?”

“So, what are we?”

What do the kids say?

“I know a place.”

What is that place for you?

The gardens of Millennium Park? The sticky seats of a movie theater? Your freshly-made bed?

What about around campus?

Shinju Sushi? The Pub? The rooftop of whichever school building with the best view?

Enough of that. Anything can be a date with the person who has your heart.

Here, the Blog navigates the charming and sometimes uncanny spaces that exist on campus, and the ways in which love can brew all around us. Anywhere, anytime.


This shoot was styled by our talented crew and models themselves, with garments and accessories from their own closets.

Click photos to enlarge


 

The Lovers


 

Cast

Photography & Editing: Sonia Chang

Models: Fatou Ndoye & EJ Song

Written by: Nadaya Davis

Creative Director: Nadaya Davis

Crew: Vivian Li, Matthew Sumera, Anna Selden, Kaja Muchova (hand cameo), Laura Sandino, Ivana Del Valle, Nadya Osman, Nadaya Davis, Vivian Li

Thank you to the staff of Cobb Cafe for allowing the Blog to stay after hours, and a special thank you to Arthur Oien for hanging behind and tolerating us!

Thank you to our amazing crew of Bloggers for working hard to bring this shoot to life!

Find more of Sonia Chang’s work here on Instagram.

 

Dark Academia: What You Need to Know

If you, like the rest of us, have been spending your quarantine on the internet, you may have come across an emerging aesthetic and subculture known as Dark Academia. Though it has seen a spike in popularity thanks to the ever popular social media platform Tiktok, Dark Academia’s truest origins date back centuries and are richly intertwined with numerous historical movements.

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Before Dark Academia became an established aesthetic, it was a genre of literature. Many credit the novel The Secret History by Donna Tartt as having originated this genre when it was published in 1992. The Secret History was unique in its blending of the images of early 20th century student life with themes of murder, conspiracy, affairs, and cult-like bonds, as well as its frequent allusions to Greek mythology, Gothicism, and Romanticism. These historical references are crucial to the modern Dark Academia movement, which centers classical literature, art, and architecture from these periods.

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Since the publication of The Secret History, many additional works have been widely accepted into the Dark Academia canon. Some notable examples include the films Kill Your Darlings, Dead Poets Society, Maurice, and Suspiria, all of which rank as some of my favorite movies of all time.

As this broad collection of Dark Academia-eqsue media was being assembled, the movement simultaneously began to take off in the early 2010’s with the help of Tumblr and Instagram. Dark Academia spread quickly, especially on Tumblr, where aesthetics were prized and carefully curated. A Dark Academia uniform of sorts—consisting of high waisted plaid pants, a tan sweater, a long overcoat, and round glasses—began to emerge, as did a unifying color palette of neutrals and earth tones. Images of pages from vintage books, ivy-covered brick, and outfits rich in tans and plaids took the site by storm. However, the movement remained somewhat niche even as it slowly but steadily grew.

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Over the past year, Tiktok has helped revive Dark Academia, bringing it to a new generation of social media users. More than ever before, Dark Academia has transcended the label of aesthetic and is becoming the center of a new and quickly growing community. A quick glance through the app proves this. Videos of Dark Academia-inspired outfits, art, book recommendations, recipes, and more often garner hundreds of thousands of likes, and numerous creators have dedicated their content to this aesthetic.

Though Dark Academia’s newfound popularity is evident, the reason for its popularity is less opaque. One possible explanation is that it offers a return to a technology and social media-free lifestyle, a lifestyle that is increasingly unattainable yet also craved by a generation who was raised by technology. As life in the 21st century grows ever more complicated, Dark Academia may also serve as an effective form of escapism to a time where things were slower and simpler, while also allowing participants to romanticize aspects of their own lives they deem undesirable. Finally, Dark Academia is especially attractive to LGBTQ+ people, as much of its most notable works are rooted in either explicitly or subtextually gay narratives.

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However, despite Dark Academia’s many draws and significant popularity, it is not without its controversies. Many of the most significant criticisms of the movement focus around its lack of diversity, particularly in terms of race. As an aesthetic rooted in 19th and 20th century Europe, Dark Academia media unfortunately tends to be overwhelmingly white, and generally portrays the stories of affluent white men.

Along the same lines, some see Dark Academia’s emphasis on education at top-level and Ivy League universities as being elitist and inaccessible to the vast majority of the population. Finally, Dark Academia has also been criticized for its unhealthy romanticization of drugs and mental illness.

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While Dark Academia has its drawbacks, it seems that its newest generation of proponents are attempting to celebrate the aesthetic while making it more inclusive and accessible to all. Based on its current progression, Dark Academia absolutely has a large amount of potential to develop into a genuine and impactful community, and I’m excited to continue witnessing its growth, as well as the impacts it will undoubtedly continue to have on film, literature, art, and fashion.

Cast and Crew

Directing: Shira Silver

Models: Vivian Li, Sharon Li, Sasha Spajic, Shira Silver

Styling: Vivian Li, Sharon Li, Sasha Spajic, Shira Silver

Photography and Editing: Vivian Li, Shira Silver

Note: This shoot was planned and directed thoughtfully with all possible precautions taken. All participants tested negative prior to the shoot and masks were worn at all possible times and only removed when area was completely clear of any passerby.