Clare Waight Keller leaves Givenchy: a look back on her iconic collabs

On April 10th, Givenchy announced that Clare Waight Keller would be leaving the house after three years as the first female Artistic Director. Waight Keller was named one of TIME magazine’s most influential people of 2019. Her ascent to global fame is also attributed to her involvement in the royal wedding: she designed Meghan Markle’s wedding dress in 2018. To celebrate her contributions to Givenchy, here are some of her most iconic designs that shaped her career as Artistic Director.

  1. Meghan Markle’s Wedding Dress

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Prince Harry and Meghan Markle’s wedding broke headlines for a myriad of reasons but her stunning wedding dress was especially noteworthy for its deviation from its royal predecessors. Meghan’s dress is elegant and luxurious, yet based on simple forms and geometry. It features a boatneck and a long train which is reminiscent of vintage Hollywood glamour. Other royal wedding dresses such as the one worn by Kate Middleton had complex floral embroideries and traditional lace designs. A 2018 New York Times article captures the essence of her dress in its headline: “Meghan Markle’s Wedding Dress Was Made for a Person, Not a Princess.” Waight Keller’s work on the royal dress was one of the most significant moments during her tenure at Givenchy.

2. Beyonce’s stage looks

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Waight Keller designed the tour costumes for Beyonce’s “On the Run Tour II”. Here, in this dress, we see intricate lace detailing with layers and an asymmetrical skirt. Although the designs involve more embellishments, there is still an unmistakable elegance to Waight Keller’s work. This serves to show Waight Keller’s versatility as a designer. She is able to design for her clients while also incorporating a signature creative aesthetic to the piece.

3. Lady Gaga’s dress at “A Star is Born” Premiere

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“A Star is Born” was one of the most anticipated films of 2018 featuring Bradley Cooper and Lady Gaga. Gaga is known for her sometimes outrageous red carpet and stage looks that break convention. However, here, Gaga channels a glamorous look that is less eccentric, yet equally powerful in its effect. This design by Waight Keller features a silver lace dress with a scalloped cape. It is elegant enough for royalty but it also powerful: the delicate chainmail effect from the platinum lace is a nod to Gaga’s power and influence on the music industry and now her impactful entrance into film.

4. Rihanna’s NAACP dress

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This design features a volumetric look that is accomplished through layers and pleated fabric. Waight Keller explores the range of purple tones with rich violent hues that blend with magenta and navy to achieve a gradient effect. The design is innovative in shape, colour and material, again evidence of Waight Keller’s creative genius.

These four designs are among many that showcase Clare Waight Keller’s versatility and innovation during her time at Givenchy. Although her time at Givenchy may have come to an end, we can be sure that her influence on the fashion industry will prevail in the next stage of her career.

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The Award for Least Sustainable Goes To: Awards Shows

Grammy’s 2020

Grammy’s 2020

Award show season is well underway with plenty of commentary to be made about outfits, snubs, and drama, but the one thing that seems to have evaded the spotlight for the nth year in a row is the wastefulness and lack of sustainability behind the lavish yearly Hollywood ordeals.

Hear me out: I’m not coming after the practice of celebrating individuals for their contributions to music, theater, art, and pop culture in general. Instead, my point is to highlight the excessiveness of the culture surrounding awards shows. Every year, celebrities gather in events that produce massive amounts of paper and plastic waste, not to mention the environmental impact of all the one-time outfits, fossil fuels exhausted on the private jets, and limousines used for transport. 

Golden Globes 2020

Golden Globes 2020

Arguably, the private transportation—especially on the ground—is somewhat of a necessity given security concerns for some A-listers, and the non-reusable award show outfits are advertisements for the celebrities, the projects they are involved in, and the designers that create red carpet looks. It could even be argued that American consumerism and obsession with demonstrated wealth is what drives the cycle and curiosity surrounding Hollywood’s showy lifestyles. But lately it seems like those that we idolize (or those that we are conditioned to idolize by tabloids, if you want to think about it that way) reflect public and global concerns increasingly less. It is undeniable that celebrity voices have lent spotlights to foundations doing good work, and that in recent years many have been more outspoken on issues with the entertainment industry and greater injustices in the world. However, this all becomes a little sour when the hypocrisy of the institutions that they participate in is considered…

How many private jets are flown into awards shows? How about the idling lines of limos that each celebrity takes? The napkins used at every table? How much food from the on and off-set dining menus is tossed out into landfill without being touched? If we’re going to talk about the unsustainability of fast fashion, why should we keep to a double standard that wags its finger at companies that offer clothing for affordable prices to the general public rather than the amount of resources used to create single use suits and dresses for red carpets?

SAG Awards 2020

SAG Awards 2020

The fact of the matter is that celebrities have a unique platform to elevate important causes, but advocacy seems to only infiltrate Hollywood selectively. If celebrities and awards shows really wanted to set an example and take a stand for the issues that so many in Hollywood claim to be invested in, they should find ways to reduce the environmental impact of and the waste produced by these events that are attended by a relatively small circle of people. 

Re-evaluating the orders put in for supplies and food for awards shows is a place to start. Few celebrities actually eat at awards shows—instead choosing to eat before arriving—and the leftovers get put in landfill, contributing to the 3rd largest cause of methane emissions in the US. On the celebrity side, reconsidering transportation options to red carpet events and repeating outfits (quelle horreur!) are ways to reduce individual impact and start to change the wasteful culture surrounding awards shows. 

This season has already demonstrated attempts to be conscious of these concerns. The Golden Globes changed the menu to entirely vegan dishes in an effort to control for the agricultural impact of serving filet mignon for hundreds of people that likely won’t eat it anyway. Joaquin Phoenix has announced that he is partnering with Stella McCartney to wear the same suit to every award show he attends this season in an effort to reduce waste. But these are only two specific cases of change.

In a time when awards show viewership has hit the lowest point in 8 years, we need to ask whether it is enough, whether the entertainment industry is keeping up with global concerns, and whether they’ll demonstrates a willingness to walk the walk instead of just talking the sustainability talk.


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The Allure of the Topless Tux

I’m a sucker for menswear-inspired outfits, so I’ve been really enjoying the recent wave of high-profile women in suits. One of the most prevalent looks has been the suit-jacket without a shirt underneath. It’s a great blend of the risqué with something that has traditionally been both masculine and formal, and it subverts fashion norms in a really interesting way. In short: I’m a fan.

Yves Saint Laurent was the first designer to make a tuxedo for women: his “Le Smoking” tuxedo jacket debuted in the 1960s and quickly became part of women’s pushback against the societal restrictions. Socialite Nan Kempner, for example, was refused entry to a restaurant because pants were not accepted as appropriate formal wear for women. Instead of taking this lying down, Ms. Kempner simply removed her pants and wore the blazer as a dress! Others were quick to make the look their own, too: in the 1970s, Bianca Jagger got married in a shirtless white tuxedo, as seen in the photo.

Women continue to push social and fashion boundaries with the tuxedo, and many, like Ms. Jagger, do so without shirts on. Here are some of my favorite takes on the look.

Risqué Business

(See what I did there?) Aaaanyway, Kerry Washington’s harness is amazing, and it brought her shirtlessness in this Atuzarra look to a whole new level.

Unexpected Fabric

Cara Delevingne took to the streets of New York City in a blue velvet suit with just a strappy bralette underneath, and I loved it.

Fully Unbuttoned

Slick Woods was beautiful (and very pregnant) in this take on the trend that features a classic black tux with a fully open front.

Structured Tailoring

Gal Gadot’s look showed less skin than many, and her Mugler suit’s structural elements are emphasized by strategically placed seams.

Make It ~Colorful~

Winnie Harlow’s look is a great example of the transforming power of color.

Oversized Elegance

Lady Gaga. A style icon. Wearing a suit that seems much too large, but somehow managing to both pull off the oversized look and add the twist of shirtlessness that makes it even cooler.

Mix and Match

No one ever said a blazer couldn’t have a train, and if they did, Evan Rachel Wood’s Altuzarra look would have something to say about it.

Subtle Shape Shifts

Sandra Oh paired this Armani suit’s non-traditional neckline with a bare chest and it was just s t u n n i n g.

Modern Classic

This white tux is as classic as it gets, but Zendaya’s bare chest made it into a modern look.

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The Best and Worst of Camp: Notes on Fashion

When I heard that the theme for this year’s Met Gala was Camp, I got super excited to see what celebrities and their stylists would pull out for the red carpet. Camp’s presence in fashion has become more and more apparent recently, particularly with the influence of icons of mainstream media that highlight the magic of this more-is-more ideology: stars like Rupaul, Cher and Ezra Miller are really pushing the boundaries of taste, individuality, self-expression and most importantly, humor and I was so excited to see the materialization of Camp’s power.

Pose on FX star Billy Porter wore an Egyptian-inspired body suit designed by the Blonds, and he was carried into the gala via Sedan Chair by six chairmen.Image via

Pose on FX star Billy Porter wore an Egyptian-inspired body suit designed by the Blonds, and he was carried into the gala via Sedan Chair by six chairmen.

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With a theme like Camp, I definitely had a feeling that we were going to see more than just fashion this year, particularly since regular invitees are often outside the fashion industry, and encompass fashion as a performance art rather than just a fabulous garment. With that in mind, I absolutely knew that there were going to be some faults among the fabulous presentations of the night. Not everybody can be like Lady Gaga and reveal four unique looks in a fifteen-minute striptease-outfit-reveal-extravaganza. Sometimes fabulous performers try and fail, and I’m not going to say we saw too much failure tonight, but we definitely saw a few questionable takes on camp…But I’m sure they’d make for some good memes.

Co-chair Lady Gaga revealed four separate looks for the gala from a 25 foot long train to a sequins bra and panty

I will say, I was the most disappointed in the lack of male-engagement in this year’s gala and opted to not include the attendees who simply did not participate in the campy-dress code. While I’m normally impartial to a good suit-and-tie, at this year’s gala, if your suit and tie didn’t come with a performance of its own…you’re cancelled.

Without further ado, here are the slays and nays of the 2019 Met Gala!

Camp Queens: The Slayers of the Night!

Janelle Monáe in Christian Siriano

Janelle Monáe in Christian Siriano

Campy yet simultaneously avant-garde, Janelle Monáe absolutely slayed in this Christian Siriano Picasso-Dali-inspired dress with a real blinking crystal eye on the bodice. I especially loved the leaning tower of wide-brimmed hats that she wore as a headpiece; it’s slightly bonkers in the best possible way. I must say that my eyes were certainly on her!

Kendall and Kylie Jenner in Versace

Kendall and Kylie Jenner in Versace

Channeling the evil stepsisters from Disney’s Cinderella (but make it fashion!), Kendall and Kylie took over the gala in complimentary Versace gowns. In a gala filled with sequins, feathers and vibrant colors, Kendall and Kylie absolutely dominated. With influences from Bob Mackey to Carnival to Cher, the Jenners managed to combine Gala-grade sexiness with crazy, campy opulence. The slipper might not fit, but who cares when the fit is fly anyway.

Florence Welch in Gucci

Florence Welch in Gucci

No stranger to Alessandro Michele’s whimsical regality at Gucci, Florence Welch stunned in this jade green and lavender number that had her looking like a queen. I think it was a perfect blend of her signature softness combined with a statuesque glory in those fabulous 3-D wings; and though it wasn’t as explicitly “on-theme”, I feel like this look still embodies the excesses and opulence of Camp but combined with Florence’s signature style as well.

Saoirse Ronan in Gucci

Saoirse Ronan in Gucci

Another Gucci goddess, Saoirse Ronan absolutely slayed me in this Imperial red and gold Dragon gown. The look is definitely on the simpler side of the looks we’ve seen, but is nonetheless super glam. I have to give props to Ronan’s hair and makeup team, because she was serving Daenerys realness and I am not mad at all; why be a drag when you can be a dragon?

Laverne Cox in Christian Siriano

Laverne Cox in Christian Siriano

We saw so many (read: too many) head to black looks on this red carpet; and though I’m impartial to a good monochrome fit, I was utterly disappointed in what I saw - until I saw this look. Laverne Cox brought me this amazing silhouette from Christian Siriano with that fabulous blossoming ruffle- couture headpiece - turquoise hair moment and my faith was restored in the impact that a fabulous silhouette can have.

Ezra Miller in Burberry

Ezra Miller in Burberry

Surreal, androgynous, playful and rebellious, these are the areas where camp crosses over with Ezra Miller, who in my opinion, is fashion’s rising star. Dressed in a custom Burberry suit-dress and corset, Miller is serving all sorts of optical illusion, mind boggling, gender bending fantasy and I cannot complain. Not to mention, Ezra’s makeup team absolutely killed it with those five photo realistic eyes and stunning red lip, creating a look that is undoubtedly campy as it is undoubtedly Ezra.

Constance Wu in Marchesa

Constance Wu in Marchesa

What’s a gala without a glamorous gal? Constance Wu is absolutely killing it in this gorgeous 1920’s-inspired gown by Marchesa. Channeling starlets of the past, this Hollywood honey is bringing us a more refined vision of camp; a playful, but melodramatic vision of glamor that I think really aligns with her point of view on both performance and fashion. I am also obsessed with that dark lip and smoky eye, which totally completes Constance’s look and brings out this persona that we've never seen before. It’s an absolute slay for me!

Anna Wintour in Chanel Haute Couture

Anna Wintour in Chanel Haute Couture

Finally, I must cite the queen herself: dame Anna Wintour in this fabulous Chanel Couture gown and coat. As the Chair of the event, executive producer of the gala and Editor-in-Chief of the world’s most influential fashion magazine, Anna Wintour absolutely killed the theme of this year’s gala while still maintaining her signature sophistication. The look is playful and light with those beautiful bouncing feathers, yet totally ladylike with those marvellous, embroidered florets. In my eyes, this look is the penultimate combination of glamorous and campy: Glampy! and it is certainly a triumph on top of the amazing Gala this year.

Camp Questionable: A No From Me.

Gigi Hadid in Michael Kors

Gigi Hadid in Michael Kors

Okay, so I want to preface this by saying that I really want to like this look, but I think I’m physically unable to give it more than a pity laugh. I think that Gigi is an amazing model with a willingness to do whatever is asked of her, but I think this look does not suit (haha) her at all. It’s really just too many things at once: Star Wars meets a gold lamé tree that nests an ostrich who laid an egg on Gigi’s head. On another star, I’m sure the look would have been one of my faves, but on Gigi, I find that such an outrageous look washes out her beauty, her personality and her fashion perspective. I think that this look really hides who she is and I hope that next year, she finds a look that screams “Gigi” rather than “Confused Hedwig”.

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Bibbidy, Bobbidy, BOOOOOOO! Alright, I get it: Camp seems like a theme where you can venture into costume, but I think the fault in that is that costume can become cheap really REALLY fast and I’m afraid that’s what happened with this Tommy Hilfiger x Cinderella Ballgown. So I get the idea, Law Roach, Zendaya’s “image architect” played the role of the fairy Godmother and turns Zendaya’s grey ballgown into a glowing blue gown, and while I appreciate the concept, I feel like the execution fell short. It seems too much like a rip-off of Claire Dane’s gown from a few years ago and a cheap one at that. I wish that instead of just turning the lights on, Zendaya had more of a full transformation; I wanted her to reveal some kind of alternate outfit that took this campy look into something more chic and playful; I wish those ridiculous puff sleeves came off along with that blonde wig to reveal something that gave me more Zendaya and more fashion. Though it seems that wishing on this star won’t grant me what I want :(

Amber Valetta in Saint Laurent by Anthony Vaccarello

Amber Valetta in Saint Laurent by Anthony Vaccarello

Okay so I’m all for taking a risk during the Met Gala; I love that Amber really wanted to push herself and highlight something very sexy and fun for the gala with this Saint Laurent look, and I really think that I would have really liked this look if it was tailored a little bit differently, but I’m sorry, that cameltoe might be where I draw the line. I love the neon-green feathered coat and the heels and that intense bang, but I think that bodysuit could have been executed in a way that still retained that sexiness without that unfortunate wardrobe malfunction. I will give Amber credit for taking a risk, but I think the risk may not have paid off this time.

Katy Perry in Moschino

Katy Perry in Moschino

Where’s Sia when you need her? Okay, I have very little to say about this look, just that I think that Katy should have brought a bit more fashion to the Met and a bit less Beauty and the Beast. Jeremy Scott designed a similar dress in 2016, but at least that gown hit the floor and brought me an intersection between fashion and humor. This? This is a chandelier and also a mess. That’s all.

Kristen Stewart in Chanel

Kristen Stewart in Chanel

I would love to hear how K-Stew would explain this…choice. We’ve seen that Chanel has the capacity to be both campy and chic, but I think this look is neither, and also definitely not fit for a red carpet. A sequins culotte with a sequins black top and an imbalanced array of chains gives me more Drag Queen Loungewear than Met Gala, and not even in a good way. On top of that, I don’t understand this dip-dye popsicle colored hair and equally confusing creamsicle brow moment. I know that Kristen Stewart has a more minimal, cool style that might not align well with this year’s theme, but I think that translated more into her outfit fighting with itself rather than an incorporation of her perspective into her look. It’s disharmonious to say the least and in my opinion, both boring and too much, which I never thought was possible.

Harry Styles in Gucci

Harry Styles in Gucci

I think this might be one of the most disappointing looks of the night, and what makes it more disappointing is the fact that Harry Styles was a co-chair of the gala, wearing the designs of one of his other co-chairs, Alessandro Michele. I think this outfit is a bleak look at what could have been, but sadly a mesh top with grandpa-ish high-waisted trousers and a ring on every finger is a weak attempt at Camp. And I’m surprised, Harry Styles normally pulls out some really vibrant, creative and avant garde looks and I think that this one simply fell short. I feel like there’s nothing exciting about a head to toe black outfit with a big bow and exposed nipples. I think Harry has so much more reverence for fashion than what he’s showing and I’m hoping he toned down his own look to make this looks of his co-chairs all the more vibrant, but really Harry? Really?

And there you go! My top toots and boots from the Met Gala! To see every look from the red carpet, be sure to check out Vogue’s red carpet coverage here!

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Camp: The 2018 Met Gala Highlights Fashion’s Sense of Humor

The Met Gala was established in 1948 to raise money for the Costume Institute at New York’s Metropolitan Museum of Art and  to celebrate the opening of its annual fashion exhibition. The Gala brings together the most acclaimed figures in fashion, art, television and more, presenting themes such as Heavenly Bodies, Manus x Machina, Punk, and China: Through the Looking Glass. Despite the intensive publicity surrounding the Gala, all the events of the night following the red carpet are not publicized. Guests are not permitted to post on social media, nor is there any coverage of the actual event.

Kendall Jenner snuck in a personal camera during last year’s ball. Photo via

Kendall Jenner snuck in a personal camera during last year’s ball. Photo via

This year’s Gala will take place on the Monday, May 6th and will be presented by Andrew Bolton, who has chosen “Camp: Notes on Fashion” as the official theme.

The exhibition will feature 200 fine art and fashion objects, ranging from artifacts from the court of Versailles all the way to ready-to-wear and couture pieces of the present day. This year’s chairs will be Lady Gaga, Harry Styles, Anna Wintour and Gucci’s creative director Alessandro Michele. Undoubtedly, we can expect a lot of the red carpet and exhibition to feature some of Michele’s collections over the years.

Franco Moschino shirt. Spring 1991. Image via

Franco Moschino shirt. Spring 1991. Image via

Michele has publicly expressed his enthusiasm for the event, claiming “Camp is a beautiful word and a crucial element in the expression of human nature.”

Susan Sontag’s Notes on Camp, the inspiration for the exhibit’s title and theme, approaches the word “camp” in terms of sensibility. She describes it as love of the unnatural, a form of performance, rebellion from aesthetic restriction and a comic vision for the world, among 54 other definitions in her essay.

Clearly, “camp” is a pretty broad theme, and one that is hard to pinpoint theoretically, let alone imagine on the red carpet for one of the biggest fashion events of the year. Bolton is keen to focus on what gives a subject its personality, with an emphasis on elements such as exaggeration, theatricality and artifice. In many ways, the ambiguity–or perhaps even the mystery of camp–allows attendees to really define for themselves what the term means.

For more information and media about this year’s Met Gala, or on Camp: Notes on Fashion, be sure to check out the Met’s event page.

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Voluminous Gowns and Gender-Bending Looks: An Oscars '19 Fashion Review

To be honest, I’m not exactly a film buff, so I’ve never been one to really pay attention to the Oscars. However, there’s no denying that red carpet fashion is highly influential and exciting to observe (though Business of Fashion seems to disagree), so of course, I’ll tune into what celebrities are wearing. With everything from Billy Porter’s tuxedo gown to Gemma Chan’s huge ruffly Valentino Haute Couture gown, this year’s Oscars had some stunning looks. Unfortunately, it had far more disappointing ones too. Keep reading for my review of all the major looks from the night.


Billy Porter

Let’s start off with what was probably the most talked-about look from the night. Billy Porter, who stars in the television series Pose, wore a black velvet tuxedo gown designed by Christian Siriano, who is easily one of the most inclusive designers in the industry. There are a million reasons to love this look, from the lush fabric to the flawless tailoring to the way it twists existing ideas about gendered dressing. This look was as much of a social statement as it was a beautiful gown. Porter showed everyone that there’s no need to be stifled by the binaries of fashion, dismantling the idea that masculinity can only look one way. Porter’s confidence is inspiring, and I hope we get to see more gender-bending outfits on the red carpet in the future.

Constance Wu

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As much as I love Constance Wu, I have to admit that she’s been bringing some pretty dull looks to the red carpet this season. For the Oscars, she wore a canary yellow pleated Atelier Versace gown, and while it was pretty, it was just so boring. The dress looks like something that comes from Macy’s prom dress section, and while it makes for some nice twirling shots, it feels like something we’ve all seen a million times before. The asymmetrical off-the-shoulder detail is perhaps the most interesting part of the dress, but to be honest, it looks like part of the left shoulder’s overlay was bitten off right before the event, leaving Wu no choice but to just walk the red carpet anyway. Hopefully she’ll be wearing something more noteworthy and less cutesy next time.

Amy Poehler

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Amy Poehler twisted gender norms while looking chic and confident in an all-black pantsuit from Alberta Ferretti. The look featured a mix of masculine and feminine elements, as she had a ruffled blouse that kept her from looking too serious and wide leg trousers that fit perfectly. She put her hair up and accessorized minimally, giving the look an androgynous and sophisticated feel. Overall, definitely a solid outfit.

Lady Gaga

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Lady Gaga is known for consistently standing out at award shows, from her infamous meat dress to jaw-dropping haute couture gowns, she’s proved that she can really pull off anything. This time, she graced the red carpet in a black Alexander McQueen dress, elbow-length leather gloves, and a 128.54-carat “Tiffany Diamond” necklace, which was last worn by Audrey Hepburn in Breakfast at Tiffany’s. Her old Hollywood glamour-inspired look was certainly beautiful, but it wasn’t her most memorable. Additionally, the craftsmanship of the dress wasn’t the best. There is a line right where the fabric goes from form-fitting to flared out, making the silhouette less smooth than it could have been. However, I do love the curved neckline and the padding on the hips. All things considered, this was a good look, but not a great look.

Awkwafina

Awkwafina wore a shimmery pantsuit from DSquared2, and while I think the concept suits her, the execution fell flat. I love the color and the big pussy bow blouse, but the positives stop there. The blazer seems to be too small, as the single button looks like it’s working hard to keep itself in place, and the pants fall awkwardly and look uncomfortable. In comparison to some of the pantsuits that other guests wore, it’s clear that this one simply doesn’t fit well. If the tailoring were impeccable, then this look would have easily been one of the best from the event, but tragically, that wasn’t the case.

Kacey Musgraves

Kacey Musgraves, who won Album of the Year at this year’s Grammys for her album Golden Hour, wore a bubblegum pink tiered tulle dress from Giambattista Valli. Tulle dresses have been very popular this red carpet season, likely due to their femininity and drama, and while some people seem to be very over the trend, I’m still a fan. While I think the bow at the waist is unnecessary, I love the big shoulders and the mock neck, which give it an updated ‘80s prom queen vibe. Overall, definitely a top look from the night.

Ashley Graham

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Ad campaigns featuring diverse body types have grown exponentially in recent years, but many designers still refuse to work with plus-size clients, claiming that they are too hard to dress. However, Ashley Graham consistently proves them wrong; her curves were perfectly accentuated in this black Zac Posen dress. Though simple, its details helped keep it from being boring. The asymmetrical neckline and mermaid skirt gave it an interesting silhouette that made her look glamorous and classy.

Michelle Yeoh

Michelle Yeoh, who plays the formidable matriarch Eleanor Young in Crazy Rich Asians, wore a cream and silver gown from Elie Saab’s Spring 2019 Haute Couture collection. I absolutely love the silhouette of the dress; the off-the-shoulder neckline is elegant without being bland while the voluminous bottom adds drama and glamour to the look. However, the embellishments feel unremarkable. Countless women have worn similar-looking embellished dresses to major events, and while they all look pretty, none of them stand out. This look was alright, but it could’ve been more interesting.

Elsie Porter

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15-year-old Elsie Fisher has a history of wearing suits to major events, so it was no surprise when she came to the Oscars in one as well. This three-piece Thom Browne suit is definitely one of my favorite outfits from the night, though I might be biased because of my love for Thom Browne. The look was sophisticated and cool without feeling stuffy, and the present-shaped bag gave it a playful touch. The patent leather shoes gave the outfit some texture and kept it from being too plain. While looking at this makes me realize how poorly dressed 15-year-old me was, I love seeing younger stars wear something simultaneously daring, chic, and age-appropriate.

Rachel Weisz

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Rachel Weisz wore a bright red gown from Givenchy’s Spring 2019 Haute Couture collection under the creative direction of Clare Waight Keller. While I usually love Waight Keller’s work, this dress just feels confusing to me. I’m sure there’s a way to put latex and beading together and make it look good, but this wasn’t it. The pleats give the dress some shape, but it just feels like there’s too much going on here, especially with the overly-perfect hair and headband. Overall, this look is just sorta strange.

Chadwick Boseman

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Chadwick Boseman is one of the best-dressed men in Hollywood at the moment, and he consistently shows up in fantastic menswear looks that stray outside the standard black and white tux (the Givenchy Haute Couture look from last year’s Oscars is one of my personal favorites). This year, he wore Givenchy Haute Couture again, and the outfit included an embellished tailcoat and a long silk scarf in place of a tie. The detailing on the jacket is beautiful and the rest of the outfit is understated, allowing the sequins and embellishments to really shine. Boseman’s willingness to take fashion risks and push the boundaries for what formal menswear can look like has paid off yet again, as this look stood out for all the right reasons.

Gemma Chan

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Let’s end on a high note and talk about what was easily my favorite look from this year’s Oscars. Gemma Chan, who played the stylish Astrid Leong in Crazy Rich Asians, wore a giant neon pink gown from Valentino’s Spring 2019 Haute Couture collection, under the creative direction of Pierpaolo Piccioli. Piccioli consistently designs beautiful gowns every collection, full of vibrant colors, subtle yet loud details, and flawless craftsmanship, and this dress was completely on par with his past work. Chan’s confidence paired perfectly with this gown’s drama, leading me to believe that Valentino and Chan are a match made in heaven; few can pull off such bold looks with ease. Even better, Chan was hiding rice cakes and cookies in the pockets of the dress. What an icon.

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A Night of Uprising and Upset at the 91st Academy Awards

In a night filled with a historic number of Oscar nominations and wins for minorities, the pinnacle award for the night was a disappointment to many viewers.

Most of the night went exceedingly well in terms of equal representation, including wins for Black Panther’s costume designer Ruth E. Carter and production designer Hannah Beachler, Regina King’s win for Best Supporting Actress in If Beale Street Could Talk, Mahershala Ali’s second win for Best Supporting Actor in The Green Book, Spike Lee’s award for BlacKkKlansman’s script, Alfonso Cuarón winning Best Foreign Film, Best Cinematography and Best Director for Roma, Rami Malek’s win for Best Actor in Bohemian Rhapsody, Bao directors Domee Shi and Becky Neiman-Cobb winning Best Animated Short, Period. End of Sentence. helmer Rayka Zehtabchi’s win for Best Live-Action Short, Free Solo filmmakers Jimmy Chin and Elizabeth Chai Vasarhelyi’s win for Best Documentary Feature, and Spider-Man: Into the Spider-Verse co-director Peter Ramsey’s win for Best Animated Feature. Even the award presenters were diverse, with 29 of the 52 non-white.

However, once Best Film was awarded to Green Book, the tone of the night shifted. In a film that fits a narrative on race relations better for the 1960s than in the present, Green Book is often touted as the story of a white and black man becoming friends despite their disparate experiences (however, Mahershala Ali’s character was deemed a supporting character in this discussion of race).

The “character arc” of Tony Vallelonga is that of the classic white savior: he helps his pianist employer DC Shirley avoid a beating before explaining to Shirley that he, Vallelonga, is “blacker” than Shirley because he likes Little Richard and Aretha Franklin. A problematic take on race in America that claims progressivism is not the only problem surrounding this film, with one writer criticized for making Islamophobic comments, another writer accused of sexual misconduct, and main actor Viggo Mortensen using a racial slur during a press tour to promote the film.

Mahershala Ali had to apologize to his character Don Shirley’s actual family after the family’s displeasure with the film’s interpretation of Shirley. After winning the award, Green Book producers Jim Burke and Charles B. Wessler and director Peter Farrelly also did not thank Ali’s character Don Shirley in their speech.

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Green Book’s win does not come as too much of a surprise when looking at the demographics of the Academy’s voting committee. With nearly 8,000 voters, only about 38% of the voters identify as women and 16% of voters belong to a a racial minority group (as of 2018). Although this is an increase compared to earlier years, a deficiency in diverse perspectives limits the Academy from receiving an honest and holistic understanding of race and representation in film. It allows most voters to lean into a vision of interracial harmony that isn’t too progressive or upsetting.

Following the #OscarsSoWhite controversy that has plagued the Academy for the past few years for its lack of black nominees, this win is a slap in the face for those critical of the Academy’s attempts at inclusion. Many have argued that if the Academy was eager to award a film addressing race relations in America, it should have looked to Spike Lee’s BlacKkKlansman, which won Lee his first Oscar for Best Original Screenplay.

BlacKkKlansman focuses on a black cop infiltrating the Ku Klux Klan to gain intelligence. Many argue this film explores themes of racism, bigotry, and what it means to be black in the 70’s with more nuance and insight than Green Book. Lee himself was upset at Green Book’s win, and attempted to walk out of the room at the announcement to discuss the mistake made by the Academy stating: "I thought it was courtside at the Garden, and the ref made a bad call."

Highs and Lows of the 2019 Grammy Awards

The Grammys delivered its predictable mix of questionable choices re: fashion, tributes, and snubs, but this year also gave us a few glimpses into the light at the end of its fraught tunnel. Crowd favorite albums like Childish Gambino’s This is America and Ariana Grande’s sweetener both took home prizes—or rather, were later sent the prizes, as neither artist attended the show. In fact, there was a considerable chunk of absent star power with artists like Beyonce, Jay Z, Rihanna and Taylor Swift joining the list of no-shows. The winning artists who did attend didn’t fare that well, as the show featured many cut off speeches and production issues.

After the awards show mutinies of 2018, all eyes were on the Recording Academy to finally adapt to the current landscape and reward artistic exploration, especially by women and minority musicians who are consistently robbed of accolades. Last year #GrammysSoMale went viral, and this year could have been subtitled “revenge of the women.”

In comparison to previous years’ shameless disregard for innovation, this year’s Grammys definitely delivered. The package may have gotten lost in the mail and arrived a little beaten up, but it was delivered… eventually. Here are my five most notable moments of the 2019 Grammys:

Michelle Obama’s cameo

No, she’s not a musician, but anyone who doesn’t think her appearance elevates any event is kidding themselves. My First Lady joined Lady Gaga, Jada Pinkett Smith, J.Lo and host Alicia Keys onstage to express her love of music. But there’s absolutely nothing I can say about her that’ll sound better than her own words. I miss you, Michelle!

J.Lo’s Motown tribute

Notable for all the wrong reasons. I’m thinking of suing for emotional damages… whichever old white man who chose Jennifer Lopez to deliver a tribute to Berry Gordy’s groundbreaking black record label needs a serious talking to.

As someone who grew up on the likes Marvin Gaye, Gladys Knight and the Temptations, there is positively no reason to have J.Lo’s 00’s R&B/showgirl stylings in the ring for a tribute to Motown Records. Yes, she is a super talented artist, but put the “soul” in Motown’s “soul music” she does not. Please sit down, Smokey. To add insult to injury, Berry Gordy received no shoutouts? Producers, Diana Ross was literally in the room! Speaking of Miss Ross…

The Diana Ross tribute, by the only person qualified to do so…

…Diana herself! Rather than get J.Lo’ed, Miss Ross took her legacy into her own hands and performed a few of her hits as she approaches her 75th birthday. The palate cleanser we all needed. A true daughter of Motown, Diana’s mark on pop culture is as undeniable. Her lilting voice, big hair and seemingly bigger eyes have been stopping the world in the name of love for 50 years and counting.

Though nominated 12 times and eventually recognized with a Lifetime Achievement Award in 2012, none of her music ever received a competitive Grammy, but nothing has ever held Diana down. She’s the ultimate definition of a legend.

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Cardi B in general

Belcalis Alamanzar was the indisputable champion of the 2019 Grammys. Her red carpet look was easily the best of the night, a 1995 Thierry Mugler haute couture look inspired by the birth of Venus. Paying homage to one of the finest works of art is a perfect middle finger gesture to those who write her off as nothing more than a ghostwritten hoodrat.

Never one to do things halfway, Cardi further discredited her haters by cinching her first Grammy for Rap Album of the Year, Invasion of Privacy. But for me, the icing on the cake was her transcendent performance of hit single “Money.” From the moment that pianist looked straight into the camera, we didn’t stand a chance. The costumes (all three of her Grammys looks were Mugler!), the dancers, the synchronization, the instrumentals, THE COSTUMES… show-stopping is too tame a word.

Music video by Cardi B performing Money (LIVE at the 61st GRAMMYs). 2018 Atlantic Recording Corporation

All of the other performances

Besides the Motown tragedy, the night’s performances really consistently delivered. The rise in visibility of public opinion and outrage on social media has rendered the awards themselves much less relevant than the performances. The Dolly Parton tribute was beautiful and demonstrated a great understanding of her legacy, the Aretha Franklin tribute was perfectly casted by women clearly influenced by her sound, and Janelle Monae’s “Dirty Computer” medley was an entire production. A personal favorite was Camila Cabello opening the show with “Havana” featuring special guest Ricky Martin.

All in all, the Grammys are bouncing back in a major way. Who knows, in a few years artists may actually be receiving awards show credit directly proportional to the quality of their work! Stay tuned!


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Golden Globes Style Winners

The Golden Globes are the step-child of entertainment awards, wedged in the beginning of the new year and offering hot takes on the “best” shows and movies of the year (I love Queen as much as the next girl but don’t necessarily agree with all the hype Bohemian Rhapsody has been getting…) that more prestigious awards often veto or overlook.

One thing the Globes does deliver on (and is quite frankly, often the best part of the show) is the red carpet, however. Here are a few of the most stunning looks from the night.


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Honorable mention: the award for best accessories goes to wearers of the Times Up x2 ribbons and wristbands. After last year’s supernova of awards show activism, it was debated whether this year would prove to sustain the momentum, and while the outward industry-wide rage of last year’s ceremony certainly wasn’t as present in this year’s more light-hearted show, the movement was by no means extinguished. In her acceptance speech, Regina King put her foot down and declared "Time's Up times two."


Billy Porter brought the flair in a dramatic and elegant Randi Rahm ensemble:

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Lupita Nyong’o looked nothing less than the African Queen she is in Calvin Klein:

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Jamie Lee Curtis proved yet again that age is truly nothing but a number in Alexander McQueen:

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Janelle Monae wore a stunning Egyptian-esque piece from Chanel’s Fall 2019:

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Constance Wu and Kiki Layne wore lovely, nude/peach princessy dresses with caged bodices, by Vera Wang and Christian Dior respectively:

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Drumroll, please: on brand with her own Hollywood Cinderella story, Lady Gaga wore an appropriately fairytale inspired Valentino gown. The pièce de resistance of the look? It pays homage to Judy Garland’s dress in the 1954 version of A Star Is Born, in the very same role that Gaga stars as in the remake.

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The 2018 Met Gala: Where Celebrity Meets Heavenly Bodies

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Every May, the Met Gala marks the penultimate fashion event of the year as celebrities and leaders in the fashion industry flock to the Met's red carpeted stairs. This year, Andrew Bolton, the Met's Costume Institute curator in charge of visualizing and planning the annual show, found inspiration in Catholicism and the many influences it has asserted on fashion and materialism from the medieval era to contemporary brands like Dolce & Gabbana, Chanel, Versace, Dior and more. 

“Heavenly Bodies: Fashion and the Catholic Imagination" opened on May 10th, marked by the much-celebrated Met Gala and will run until October 8th. Co-hosts for the Gala include Anna Wintour, joined by Rihanna, Amal Clooney and Donatella Versace.

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Interestingly, a majority of the designers featured in the show are from Catholic backgrounds. The influences of their religious upbringings in their later creative visions manifest in an array of compelling designs and theorizations about religion and materiality. In the pieces selected for the show, inspiration is drawn from Catholic doctrines, imagery, metaphor and narrative that spans history and moral spectrums. Purity and chastity meet with eroticism, sensuality and carnality. Spirituality stands alongside idolatry and materialism, monarchy with school uniforms and monastic garb.

... what struck me is how religion—Catholicism in particular—has really shaped the mind of these designers with a richness of imagery, a storytelling tradition, and seeing the world through metaphor. I hope, no matter what your faith, this will cause you to reflect on whether your religion has had an influence on your creative development.
— Andrew Bolton to Vogue.com

For a more in-depth discussion of "Heavenly Bodies" and the influences of Catholicism in fashion, public imagination and American society, refer to the following article by Maureen Dowd for Vogue.com.


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White Roses Symbolize Resistance on the Grammys Red Carpet

Ah, the Grammys. A place where all of our favorite recording artists and performers come together and celebrate their art, show off their unique senses of style, and of course, watch as Blue Ivy indulges in some emergency snacks, courtesy of Beyoncé. The best part about Grammy's fashion is how much more adventuresome the red carpet styles tend to be. Stars shirk convention in favor of peacocking in the latest patterned suit or floor grazing gown–it's like the Met Gala of the music world! 

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This year’s trends geared towards the “nearly naked” sheer look, complete with plunging necklines, carefully placed beading and slits. Everyone from Sza to Lady Gaga, Heidi Klum and Maren Morris, to name a few, donned this look.

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Other stars went for more traditional looks, but added their own flair to it. Camila Cabello made her solo debut at the Grammys wearing a long, red (supposedly flamenco emoji inspired) Vivienne Westwood Couture dress with a plunging neckline. Hailee Steinfeld chose a sleek, white strapless Alexander Vauthier gown with a thigh high slit with purple metallic, pointy toe over-the-knee boots. Lorde's ephemeral red tulle dress was fit for a princess, and came with an empowering message as well.

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Another trend that seemed to take over the red carpet on Grammys night were women in pant suits. Alessia Cara, Anna Kendrick, Kesha, and Janelle Monae were among the many women who decided to go for the bold pantsuit this year and it seems to have worked out well for them as they all looked stunning.

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Now of course, you can't forget about the men. They actually shocked me with their outfits because it wasn’t just the standard black suit ordeal. Lots of guys branched out of the ordinary and added a little color and a little flair to their ensembles, rivaling the women in the most daring looks of the night. Sam Smith stepped out in a forest green suit by Cerruti 1881 and worked the bold look with a maroon and navy t-shirt underneath. Khalid donned a lilac Salvatore Ferragamo suit with a lime green turtleneck and the ever-trendy dad sneakers. DJ Khaled and Common went more formal with red velvet suits and others tried for the traditional look and added their own je n’ai sais quoi like John Legend in a satin, navy blue Burberry suit and Camryn Howard in a sequined tuxedo. Migos took the cake with their brocade, bedazzled military style blazers, layered over turtlenecks and chains, no less.

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One accessory on the red carpet that is of particular note are the white roses donned in support of the Time’s Up movement, worn by many in attendance. Similar to the all-black dress code at this year's Golden Globes, white roses in the form of corsages, pins or bouquets signaled support for Time’s Up and its efforts to fight against sexual misconduct and gender inequality in the entertainment industry and beyond.

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Summer's Most Buzzworthy Hair Trend

Thinking of drastically switching up your summer look? The season's most popular trend calls for pixie cuts and buzzcuts in shades of platinum and peroxide blonde. Ever since Kristen Stewart debuted her bleached blonde buzzcut earlier this year, a handful of stars have been following suit, from Zoe Kravitz and Katy Perry's stylized pixies, to Cara Delevingne and Amandla Stenberg's more daring close shaves.

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If you're a fan of the platinum, but not quite ready to part with your hair, look no further than Karlie Kloss' recent foray into the world of bleached hair and badass beach babe vibes. Perhaps peroxide blondes have the most fun!

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Cannes' Best Dressed

This year marked the Cannes Film Festival's 70th Anniversary. Continuing in the tradition of the festival's storied history of honoring the best in film, this year's red carpet culminated in a champagne and Chopard fueled celebration of celebrity, couture, and of course, international cinema. From effortless off duty style perfect for lounging on the French Riviera, to breathtaking red carpet looks, keep scrolling for some of our favorite fashion statements! 

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Red Carpet

All images included above via here, here, here 

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Candice at the MET: A Case for Classics

MET Gala 2017 brought about many buzz-worthy looks (think Rihanna's Comme des Garçons confection, Kendall's La Perla silk-crystal creation, P. Diddy's Rick Owens suit...) as designers and celebrities grappled with this year's theme: "Rei Kawakubo/Comme des Garçons: Art of the In-Between". 

However, within the aesthetic excess and visual overload, Candice Swanepoel managed to stand out. Her outfit was deceptively familiar—a classic-cut Topshop dress accented by Lorraine Schwartz diamonds, a high ponytail, and a thick swoop of eyeliner—and that's what made it so breathtaking. The look plays upon silhouettes and contrast; it is the in-between of minimalist versus maximalist philosophies of style.

Candice herself completes the look—it's undeniable that the gown was made for her, and that her interpretation elevates it to something special. Be sure to check out Gordon von Steiner x VOGUE's video portrait of her below!

A post shared by Gordon von Steiner (@gvsgvs) on

3,857 Likes, 102 Comments - Gordon von Steiner (@gvsgvs) on Instagram: "Candice came to slay. 🌷 @angelcandices @voguemagazine @kelmcgee23 @silasveta @toddbanhazl"

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Oscars 2017 Best Dressed

Oscars Best Picture announcements gone awry aside, the stars came out in full force last night, with La La Land (Best Actress, Best Director, Best Song, Best Score, Best Cinematography) and Moonlight (Best Picture, Best Supporting Actor, Best Adapted Screenplay) going home with some of the biggest awards of the night.

While most played it safe on the red carpet, an array of shimmery gold, soft white and velvety black numbers were gracefully donned by some of the biggest stars of the night, from Best Actress winner Emma Stone's resplendent Givenchy number, to Taraji P. Henson and Karlie Kloss' classic looks, which channeled a certain air of Old Hollywood glamour. 

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