A Meditation on the Fall 2021 Show Season

It wasn’t too long ago when my roommate was on the phone with a family friend (one of today’s youths), after which he told me something that I was not at all ready to hear: “Hey, so apparently nobody wears jeans anymore.”

Confused (and also wearing a pair of jeans), I asked, “What do you mean nobody wears jeans anymore.”

To which he responded with “Well, they’re out of style; these days, people don’t wear them.”

The thought that what once was a staple in my wardrobe—and also the only type of pants in my closet—was suddenly deemed fashionably unacceptable among today’s youths left me feeling momentarily shocked. Especially donning the hollow title of a fashion blog’s editor-in-chief, I felt the need to pander to what was hip with the kids. While, admittedly, the pandemic led me to take a breather from keeping up with fast pace of fashion, I never thought my hibernation would last long enough for a closet stable to become obsolete. Though I tried to keep a cool face and not let my roommate’s friend (whom I’ve yet to meet) decide what covers my legs this season, I did end up putting down a cool lump of cash for a pair of red plaid “casual trousers” in a last ditch effort to remain within the range of “stylish.”

Thinking I had single-handedly kept my reputation as an inconsistent fashion enthusiast, I eagerly anticipated the arrival of my “casual trousers.” Of course, with any of these endeavors to try to keep up with today’s young-uns, I inevitably ate crow served with a side of disappointment or occasionally the sweet flavor of embarrassment.

Much to my dismay, when my eagerly awaited “casual trousers” arrived, I unwrapped that brown cardboard box to find that my red-plaid ticket back into fashion acceptance was but a mere pair of pyjamas.

What can we learn from this old EIC’s mishaps? One: read the product details before you purchase anything, and two: trends are entirely arbitrary.

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Yes, its a message I’ve been preaching since my earliest incarnation of this trend report series, but something I still stand by today. Fashion should never be prescriptive: rather, it is observable, it is inspirational, it is commercial and—like its byproduct, the trend—it is an entirely arbitrary system. We’re led to believe certain looks or garments are more fashionable than others. But over time, I’ve discovered that this dated form of gatekeeping just keeps those who prefer to hold onto staple pieces outside of the echelon of some ridiculously exclusive club. The nature of much of the industry is exclusive despite the fact that within the powerhouses of today’s designers, the overwhelming message seems to be about expanding accessibility and inspiring optimism.

Working across MODA for as many years as I have has made me realize the aspects of fashion that I enjoy and those which I’m much less fond of, and as such, a lot of those more enjoyable aspects became the pillars on which I imagined rebuilding the blog. I wanted to create a space that celebrates the expansive nature of fashion, and its ability to offer up a novel vocabulary for discussion and engaging with the world. I wanted to do away with any kind of re-sorting of what’s “acceptable” and what’s “out of style,” and instead use fashion and its adjacent media as portals and dictionaries to transport my team’s varied points of view.

Bruno Sialelli brought us a 2000’s fantasy for his opulent show set to a soundtrack of Gwen Stefani and Eve

And as such, that is where our seasonal trend report has gone. If you’re reading this thinking, it’s time for me to buy a tutu because I want to be fashionable, I’m afraid you may have misread the article. Rather, I want you to see the expansiveness of how an idea or style gets circulated throughout a commercial market, perhaps as a sign of the times, but more broadly, as a jumping off point moving forwards for your own development of persona.

Between prepping for this article, I’ve been furiously crying over a thesis and aggressively piecing together my third and final collection for this year’s MODA Fashion Show, and through this holy trinity of pain masked by flowing fabrics and glitter, I’ve managed to push out some kind of a perspective that ultimately language may not be able to articulate on its own.

Jeremy Scott’s Vintage Vision for Moschino’s Fall 2021 show featured the likes of Shalom Harlow, Dita Von Teese and Maye Musk.

Through this pandemic, many of us may have turned to creative avenues as a means of speaking our truths and telling our stories. In an endeavour to offer you another form of solace, I write what may be my last Trend Report (in my plaid pyjamas, no less). I’m hoping you may be able to take a cue from any of this season’s phygital fashion shows as an origin of inspiration for your next narrative masterpiece and I wish you all the best in the upcoming season.

And with that, here are my top trends from the Fall 2021 shows.

Back to School

It seems that designers are buckling down on a possible return to work and school, and many have embracing a wardrobe that’s less Work from Home and more Work the Hallways Like a Runway. From varsity sweater sets at Etro and Philosophy to more Gothic interpretations at Simone Rocha and Valentino, many designers seem eager to offer up a fall wardrobe that screams Back to School. To get the look, mix plaids with closet staples like button downs and trousers, layer your pieces for more put together looks, or customize garments with hardware for a more punk take on the trend. And, of course, don a pair of shoes that are classroom appropriate and conducive to lots of running between classes, because we all know we haven’t had that privilege for a while.

Blow Up

Big, Ballooning silhouettes were another major trend at this season’s runway shows with some designers reaching volumes that seem absolutely impossible to adopt today. This cocoon style, though a little bit bizarre, might prove to be the optimal strategy for embracing those chilly Chicago winters. And in the right color or print, you’d be sure to be trackable if yet another polar vortex hits. The winner for the largest balloon might go to Rei Kawakubo’s very gentlemanly collection at Comme Des Garçons this season, but more wearable looks have been seen at houses like Zimmerman and Cecilie Bahnsen. If you want to take on the balloon trend, consider picking up a puffer coat for the colder seasons, or balloon sleeved dresses and tops for the upcoming spring/summer months.

All in One

A byproduct of the pandemic seems to be an emphasis on outfits that you wear all the time, and it seems like a skin tight catsuit is one proposal to fit that bill. Whether you intend to layer dresses, coats, trousers and tops over it, or just go full Selina Kyle, the skin tight catsuit is one of this season’s most unique comebacks. Though certainly a graphic look, I must say, I wish designers and casting directors showcased the trend on a wider range of body types this season. In order for the trend to trickle down appropriately to today’s crowd, it would be great if from the top down we got solutions for how to make such a measurement-specific garment accessible to those of us whose measurements don’t fit within a double zero. Highlights go to the house of Prada, whose patterned bodysuits seemed to have been first introduced in the last menswear show, and also Laquan Smith’s hyper-sexy nearly naked versions, which I can only imagine will be big hits with some of today’s pop starlets (do it for Dua Lipa!!!).

Tutu Much

Tulle is one of my favorite fabrics to design with because of it’s great volume and movement as well as its transparency, so it was a treat to see so many designers playing with the mesh textile in their collections this season. There’s no doubt in my mind that Molly Goddard took home the prize for fluffiest tulle this year, with a number of her garments not only sparkling on the runway, but also on the red carpet at a number of this year’s award shows. The ballet-famous fabric was seen crossing the stage at Erdem’s dance inspired show, in the form of petticoats and skirts and tulle took a darker spin at Dior’s Romantic Versaille show. To take on the trend, I’d consider looking into layering transparent coats and tops with more vibrant pieces, or generally mixing softer tulle garments with harder leathers, or chunky knits. More broadly, expect tulle to be hitting shops soon, but be warned that it’s not the most washing-machine friendly textile!

Now in Technicolor

While fall shows tend to boast a glorious array of monochrome looks, I must say that even my dark heart took a shinning to the rainbow-colored palettes stomping down this season’s runways. I’ve always believed rainbows to be symbols of optimism after dark times, so I can’t help but feel like designers are expecting quite a fanfare when vaccine rollout wraps next fall. From technicolor sets at Chanel’s rock inspired show to Chopova Lowena’s mixed-textile take on the trend, the rainbow is certainly stretching around the world in eager anticipation for brighter days. To take on the trend, I recommend buying and layering vintage. Many designers mixed new and deadstock fabrics to create quite variegated collages of patterns, colors, and textures. In an industry that produces as much product as it does, it’s great to see some brands making the effort to celebrate re-using and recycling fabrics and styles.

Opulence!

What even are clothes anymore? Since we’ve been under lockdown, the lines of what we constitute as wearable may have gotten blurred. Within this season’s shows, many designers have taken to mixing prèt-à-porter with couture techniques to produce hybrids of opulence and everyday. Many big names in the trend are pre-established couture icons like Schiaparelli whose gold helmets, rings, and shoes give off intense Midas vibes with a dash of Alice in Wonderland. Others, like young New York brand Christian Cowan, play up the trend with a bit more humor, boasting coats and gloves made of recycled watches. Generally, it’s a tough trend to take on (especially on a student’s budget), but I’d suggest trying to mix dressier and casual pieces together. If WFH has taught us anything it’s that we can get away with dressing fancy on top and keeping our sweats on underneath.

Body Modifications

Some of my favorite trends are those that seem to make no sense whatsoever. We may laugh (or potentially shudder) at the body modification trend, but when it boils down to it, the trend essentially centers on the question of why we’ve adhered to arbitrary body ideals in the first place. From Raf Simon’s extendo-sleeves to Moschino’s human-animal hybrids to Junya Watanabe’s Batwing boilers, the body modification trend is all about expanding how we allow clothing to respond to our bodies. I’d say if you want to take on the trend, consider leaning into oversized garments or creatively refashioning how you wear clothes. Hang some sleeves past your arms, or wear a jacket upside down, throw on a coat three sizes too big, and maybe a pair of shorts that are shorter than you’re used to. The trend is all about offering up a novel relationship to your body through fashion. And besides, any excuse for casual Cyberpunk 2077 cosplay is worth it in my opinion!

So those are my thoughts on this season’s shows. Which trends were your favorite and which are you going to try for yourself?


All images and gifs via Vogue Runway

7 Trends that Dominated the Fall 2020 Runways

Yes, I realize I’m beyond late to be recapping last month’s shows. BUT. Given the circumstances we’re all in right now, I think I deserve a little bit of slack. Thank you.

Punctuality (or lack thereof) aside, I find that in such a time of social distancing and quarantine, Fashion has once again become a form of solace for me. I did find that amidst all the chaos of preparing pieces for the MODA show, I actually found myself distancing quite a bit from the cycles of shows that presented through February. Obviously, here and there, I heard about the standout shows from each country’s respective fashion weeks, but I found that I began to see fashion in a much more different light this season. In some ways, I feel like my dialogue with fashion changed while I was working alongside so many blossoming designers for this year’s MODA Show. Understanding the special relationship that these artists have with their work and the layers of identity that are fused and created through sketches, construction, fittings, and show was something that I hadn’t thought so much about in seasons prior, and I think it actually gave me more appreciation for creative considerations that are often unacknowledged.

CFDA Vogue Fashion Fund Winner, Christopher John Rogers showed a technicolor collection of dramatic, shimmery gowns as well as cocktail dresses and workwear. Image via

CFDA Vogue Fashion Fund Winner, Christopher John Rogers showed a technicolor collection of dramatic, shimmery gowns as well as cocktail dresses and workwear. Image via

I noticed that this season, both in the fashion month cycle and through the MODA show process, designers really enjoyed playing with that line between costume and clothes, with pieces ballooning to incredible sizes and others crossing into the world of cosplay and theatre. It’s no surprise that CFDA Vogue Fashion Fund winner Christopher John Rogers put on an outstanding show with an unbelievably diverse cast of models, hair and makeup and stylists, and I was amazed to see the gowns that he sent down the runway in brights shades of emerald and magenta plaid.

I found that overall, many designers were engaging with that interesting hybrid of personalities between their own artistic vision and that of their models. This was something that I really took notice of when designing my own collection this year, as each outfit kept changing depending on which model wore it; those hybrid identities created by the combination of model, designer and garment is something that I hope more designers will think about as they design for their respective clientele. It was particularly inspiring to see Miley Cyrus walk the Marc Jacobs show for the first time and also to see the trio of Hadid’s (Bella, Gigi, and Yolanda) strut down the runway at Off-White, and I have faith that we’ll see more designers featuring more of their friends and family in shows to come, as much of that connection is likely embedded into their collections.

It was a true Family affair at Off-White which featured Gigi, Bella and Yolanda Hadid. Image via

It was a true Family affair at Off-White which featured Gigi, Bella and Yolanda Hadid. Image via

And of course, Miley Cyrus surprised at all at Marc Jacobs. Image via

And of course, Miley Cyrus surprised at all at Marc Jacobs. Image via

And finally, it was so wonderful to see designers really having fun with fashion and shows in ways we certainly haven’t seen in a while. I must absolutely mention Stella McCartney’s fabulous finale of mascot-costume clad models, both as a statement on sustainable fashion practices, but also just to give those fashion week front rowers a good laugh. And mirroring that, I also loved Thom Browne’s forest of woodland creatures in suits and skirts and those impossible looking shoes that consumed the poor models feet; it was all just whimsical, amusing and fun, which I think is something I’ve craved for so long in fashion. At the end of the day, fashion and fashion shows, while commercial inherently, also have a profoundly artistic effect on those who consume it. Fashion really has the ability to transform, to be political, to make people laugh or cry or dance. I feel like whether a designer is designing for fashion week or whether they’re designing for a University Fashion show, that focus on expressing what clothing can do is something that should always be emphasized.

Furry (and fashionable) friends also made the rounds at the shows of Stella McCartney and Thom Browne. Images via

So, in this time of staying at home and engaging with the world from a distance, I am here to bring you my take on the Seven Trends that dominated the Fall/Winter 2020 runways. Enjoy.

Dark Romance

Romance took a decidedly dark turn this season, with many houses drawing inspiration from the world of macabre and horrifying. Dramatic silhouettes with feminine touches like lace, ruffles and florals created haunting visions of contemporary women. I could see many young startlets adopting this trend on the red carpet, and I could even venture into imagining Billie Eilish presenting her version of this trend for some of her upcoming Music Videos. For houses where dark Romance is such a major part of their DNA, like at Sarah Burton’s Fabulous Alexander McQueen Collection, I noticed that we saw both innovative and consistent takes on the codes of Romance, but I also enjoyed the unexpected visions of this trend like at Paco Rabanne this season. Though one of my absolute favorite shows of the whole season was the amazing wedding show at Rodarte in that candle-lit church; I gasped when Megan Roche walked out in that giant train that went on forever, it was everything I could have asked for from them.

Plaid Baddies

Plaid is a print that seems to be in constant circulation around the world; if I’m not mistaken, we saw the trend in Korea not too long ago, and now it’s made another rotation around the world through this season’s runways. With a strong association to creeds and Scottish Tartan and togetherness, Plaids, to me, have always been symbolic of family, and community and coming together through the crossing of everyone’s individual personalities, which we saw much of in the emphasis on Brand identity at this year’s show. I was pleased to see so much plaid at the house of Etro who put on a very smart and heavy, but still relaxed collection with many a plaid coat (one in fringe that I absolutely adored!), which was a big surprise after such an airy spring show. I loved the red plaids that merged into wigs at Noir Kei Ninomiya this season as it reminded me of the flamboyance of punk mixed in with a very royal vibe à la the Queen of Hearts. And I also liked the practicality of the red plaid at Marc Jacobs, amidst a more chaotic fashion presentation, it all felt very unified, which was a pleasure to see.

God Save the Queen

As far as style icons go, many a designers seemed inspired by women of Royal heritage this season, evoking grand Victorian (perhaps almost saloon-ish) silhouettes and very intricate lacework and beading at this year’s shows. Perhaps as a result of a little nudge from Dame Anna Wintour herself as this year’s (postponed) Met Gala theme is Time’s Up, many designers seem to be embracing the anachronistic quality of such a notable fashion silhouette. The reigning purveyor of this trend had to be Richard Quinn, who put on an AMAZING show of studded morph suits in black leather and spikes and gems and beads and pearls below ballooning gowns with high hips and heavy hems. I especially loved the back of one of his leather coats that read ‘God Save the Quinn’, as someone who also enjoys engaging with a bit of fashion wordplay here and there. Cate Holstein took an industrial and quite sexy approach to the trend at Khaite, without an ounce of raunchiness (perfect for a queen), and I especially loved the rust colored prints of gears and tools on navy dresses, which I can see many women wearing to work or perhaps emblazoning onto throw pillows in their houses. And of course, there is no other King of Queens than Mr. Jeremy Scott at Moschino, who let us all have our cake and eat it too at his Marie Antoinette themed collection that showcased the endless potential and excess of spectacular fashion presentation. Needless to say, I will be bowing down to such legends for a long time.

Green Meanies

Fresh with an undertone of Sustainability messaging, Green is the color of the fall season. No questions asked. Head to toe green outfits absolutely dominated on the runways this season, and I can see why. I think many houses looked to the streets for this particular trend as green in its many shades can often be found on today’s (or perhaps yesterday’s) streetwear lovers. Not to sound like a broken record, but I must suggest that perhaps the influence of Style Icon Billie Eilish, had something to do with the purveyance of the trend in some way or another too. Highlights included the amazing cocktail dress at Versace on Bella Hadid, that fabulous gown that occupied the whole runway at Christopher John Rogers, and the earthy, tie-dyed take on the trend at the house of Marine Serre.

Caped Crusaders

It’s all about Drama this fall, as one of my personal favourite trends has come back into fashion. Yes, it is the return of the cape coat for fall and it is back with a VENGEANCE. A super fun way to stay warm this season, while serving major royal energy, the cape can instantly add drama to any regular outfit, while remaining sophisticated and powerful. There was a very adventurous take on the trend in the opening look at Brandon Maxwell on Mayowa Nicholas, which set the tone for a very powerful collection at the American Museum of Natural history. I also liked Rick Owens’ version of the cape in neon padded down, almost resembling fabulous sleepingbag capes, which was wonderfully imaginative and quite childlike in its execution. And finally, I really appreciated Olivier Rousteing’s very powerful collection of drapey caped gowns at Balmain; I think the looser, more liquid silhouette didn’t take away from the strength of any of the models striding down the catwalk at his show, and it’s a technique that I hope the house employs more because clearly, it looks just as fabulous as the tight, short dresses that the brand is so well known for.

Horses in the Back

Tailoring took a much more equestrian turn at this season’s shows. Naturally, many brands in the fashion month cycle find much of their heritage in equestrian wear like Gucci, and Hermes, I was thrilled to see it so modernized and fresh for today’s woman. I absolutely must credit the work of the burgeoning house of Self-Portrait in New York, led by the fabulous Han Chong, who sent out an amazing collection of beautiful tailoring and high boots with fabulous black riding hats, that I could just as easily see on Bella Hadid or Meghan Markle. I also loved the fitted silhouettes at Victoria Beckham, who also released an amazing set of technicolor latex-ish boots that seemed to go all the way to the models navels, very fresh and quite adventurous for the house, which I certainly love.

Two (or Three)-for-One

Finally, perhaps not as much a fashion trend as a runway trend. I was very pleased to see so many designers organizing models in pairs or groups down the runway. Perhaps not the most conducive to social distancing, I was happy nonetheless to see designers embracing messages of solidarity, togetherness and love down this season’s runways. It takes me back to the era of the supermodel when houses like Versace would stage runways where battalions of models would march down the catwalk in slinky matching dresses. I think many designers are in fact designing now for groups of people rather than just one fabulous ensemble, like at Thom Browne, who showed an amazing, whimsical collection where every look had an equivalent twin look. I also loved the sets at Chanel, which looked like they could have very easily been mixed and matched for different body types and skin colors. And I loved the boldness and fun at the Issey Miyake show, where multiple models walked down the runway in one look, culminating in that amazing five-model train in beautiful vibrant hues. Needless to say, while this trend may be harder to employ amidst the pandemic, it is certainly a fun take on promoting more togetherness on the runways of the world.

Those are our top seven trends of the fall/winter 2020 cycle, we hope you enjoyed and let us know if there are any we forgot!


Featured image via

All Runway images via Vogue Runway

NYFW 2020 Digest

Fall/Winter NYFW has passed and we’re here to do a review of the top trends we predict will be big for next season.

Feathers and animal print continue their rule. Animal inspired textures and patterns were seen everywhere. From shearling jackets to feathered trims to snake-skin to the ever-popular cheetah print, this trend seems to be sticking around for at least another season.

Tailored and structured suit details. Whether asymmetrical or traditional, the blazer is coming back in a big way. This season we’re noticed a lot of layered and long variations of it.

Plaid layering. The pattern is back and it was everywhere.

Monochrome is here to stay. Monochrome has been around for around for a while and though many designers are starting to play around with the formula, the fundamentals are still there.

Duochrome is catching on. One of the interesting variations on monochrome thats been cropping up increasingly frequently has been duochrome- the combination of two key colors in a way that still looks as minimalist and effortless as monochrome.

Metric tons of fabric. Big sleeves, big skirts, big tulle moments, and big sweater layers are showing up everywhere.

All images via.

What to Wear to Studio MODA (Women's Look Book)

With Studio MODA just around the corner and all the tickets sold out already, we’re expecting the crowd to not just show up, but also show out. Whether this is your very first time going and you’re doing your research ahead of time or if you're a regular MODA front row trendsetter, here’s a roundup of some inspiration for your MODA outfits this year. 


Micro purse and top-handle purses

Ever since Jacquemus made their impossibly tiny purses variations on them in increasingly impractical sizes are popping up everywhere. Even though you probably won’t have room for your phone or anything else in it, it’s a really cool look that’s somewhere between purse and jewelry almost. 


Monochrome/Tonal

Yes, it’s been a trend for a while. No, it doesn’t look any less cool than it did however many years ago. If you’re looking to break up the monochrome though, you can add accessories in contrasting colors. Or you can combine colors that are within in the same color family, going for a tonal rather than monochrome look.

Statement jackets

Besides being absolutely necessary in the middle of February in Chicago, outerwear is a fun way to play around with an otherwise standard look. Plus, you won’t be freezing if you choose to go somewhere before or after MODA. (Keep in mind that there will not be coat check at the show, so don’t lose your statement jackets)

Big puffy sleeves

Or big silhouettes in general. Puffy sleeves and excessive amounts of fabric are having a moment right now though. 

Blazers or pantsuit* 

Deliberately labeled pantsuit* with an asterisk. Pantsuits are a classic, but can look a little boring unless you accessorize in the right way. Take your suit from office attire to something edgier by throwing a belt over the blazer, sporting a statement tee underneath (or lack thereof if you’re into the naked pantsuit look), or using bold colors and textures. 

Metallics and prints

Shiny fabrics are always a good move. Specifically, metallic tones in satin or shiny finishes. Animal prints have been big for a while, but can look more interesting if you mix them with different textures or metallics.


See you on February 28th at Studio MODA!

Image credits:

Images for mini bags via here, here, here, here, and here.

Images for monochrome via here, here, here, here, here, and here.

Images for statement jackets via here, here, here, here, here, and here.

Images for puffy sleeves via here, and here.

Images for blazers via here, here, and here.

Images for animal prints via here.

MODA Blog's Fall 2020 Menswear Trend Report

At Balmain, Olivier Rousteing turned his models into well…him…Bright colours and draping outfits combined French, Ethiopian and Somali design influences to produce a collection that was iconically Olivier. Image via

At Balmain, Olivier Rousteing turned his models into well…him…Bright colours and draping outfits combined French, Ethiopian and Somali design influences to produce a collection that was iconically Olivier. Image via

I’m Bored. There. I said it, I am bored with men’s fashion. I’m bored of seeing five thousand brown trench coats and ranks upon ranks of trousers and button downs. I’m bored of tall, slender boys in bucket hats and the runways that really don’t seem to lead anywhere. I’m bored with men’s fashion and I really don’t think the male consumers of fashion deserve to be bored. I’m not going to lie, menswear months of the past were on quite the roll, but right when I thought menswear was getting a major overhaul towards somewhere more dynamic, inclusive and creative, Fall 2020 hit and I’m afraid I’ve fallen into a rut of boredom once again.

Maybe it’s me. It’s totally possible that designers aren’t thinking about dressing men like me or perhaps my untrained and tired eyes have begun to form clouded opinions about the clothes coming down the runway, though I’m growing increasingly more concerned at an unnecessary homogeneity forming during this season’s presentations. I can’t blame the notion of ‘trend’ because what I believe we’re seeing is less of a capitalizing on common thematic elements in fashion but rather a fear that more outlandish or innovative pieces that frankly, I find incongruous with what I believe to be the crux of fashion, even for men.

With that being said, the monotony of this season’s tragedy was littered with pockets of something more inspiring: a handful of interesting runway presentations and certain shows that explored dressing men with a little bit more scrutiny. Two in particular who I think slayed the season were the shows of Undercover by Jun Takahashi and Gucci by Alessandro Michele, which both featured dynamic runway presentations and interesting aesthetic messages and themes. If you haven’t seen Takahashi’s take on Akira Kurosawa’s Throne of Blood featuring live performers and fabulous samurai-inspired puffers and prints, you’re missing out, seriously. Ditto for Michele’s Anti Toxic Masculinity show backed by a soundtrack of Vladimir Shostakovich’s Waltz no 2.

Undercover explored Japanese silhouettes alongside a stage performance of Throne of Blood, Kurosawa’s take on Macbeth. Image via.

Undercover explored Japanese silhouettes alongside a stage performance of Throne of Blood, Kurosawa’s take on Macbeth. Image via.

Other affects that I found promising lied mainly in the prominence of genderqueer elements. I loved that we saw such a presence of men wearing garments that are seen as traditionally feminine. Fabulous dresses and bags came walking down at houses like Loewe and Rick Owens that I hope to see more of on men in today’s world, hopefully to break down the unfortunate reputation that toxic masculinity has left on the contemporary man. I was also glad to see designers pushing themselves to use new techniques such as the hybridization of incongruent garments and the implementation of more couture elements in everyday looks.

A bit of the occult, gender bending and playfulness infiltrated the Charles Jeffrey Loverboy show in London this season. Image via.

A bit of the occult, gender bending and playfulness infiltrated the Charles Jeffrey Loverboy show in London this season. Image via.

Finally, to address the ever present discussion on sustainability, I was glad to see some designers very explicitly making statements about the state of our planet and the state of fashion within the discussion of climate change, but I fear that designers may be using sustainability as an excuse to not produce innovative designs. If I could wish for anything in the upcoming seasons, it’s to see designers use sustainability as a means to reach innovation. How can we engineer new textiles, designs and dreams in an eco-friendly and sustainable way? Certainly not be creating another six hundred boring trench coats.

And with that, here are MODA Blog’s top trends for Menswear Fall 2020!

Check it Out

Warm, preppy and playful, checks covered the runway at this season’s shows. Mixing collegiate vibes with sophisticated subversions of silhouette and color, the check trend is an easy way to customize, or elevate looks moving forward. As a Canadian, I have to mention DSquared2’s fabulous anniversary collection that featured a gorgeous black and red check coat that is truly and iconically Canadian, that I can imagine many Canadians happily wearing next fall.

In the Bag

It’s murse season. You heard be right, the murse is here at last. In an era characterized by very odd (and sometimes very small) bags for women, it was only about time for the trend to permeate through the menswear scene. I think that it’s touching to see designers across the world thinking about how to incorporate a womenswear staple into the wardrobes of today’s men, and I’m certain that many of these bags will becomes staples for the contemporary man. I found the bags at Dries Van Noten to be quite interesting as many featured fox tails, as well as the bags at J.W. Anderson which were made in adorable miniature form. I think in the efforts to soften the image of masculinity, a murse is the perfect accessory.

COUTURE!

With couture week looming right after menswear week, it was nice to see many designers implementing beading and embroidery into their collections. I especially like Loewe’s stoned poncho with the matching studded elephant bags that added a touch of punk flair to the month and of course, who could forget the closing look at Kim Jones’ show for Dior that featured silver beads erupting from the neck of a staple Dior coat. I absolutely loved the hints of glam from this trend that I think would be so much fun to implement into party looks for the new decade.

Dress To Impress

Give me more dresses! I love a good dress on a man, there’s something so beautiful about the elongating, playful quirkiness of the dresses we saw this season. From Telfar’s more deconstructed gowns to Palomo Spain’s fabulous monastic dresses to Charles Jeffrey Loverboy’s club-kid inspired get-ups, the dress for men belongs rightfully in the wardrobe of today’s man. I’m interested to explore how brands will market the garments and also how garments will be sold in department stores of the future! Will gendered shopping division finally be a thing of the past?

Hybrids

Many designers this season seemed to be exploring how to combine complimentary or contrasting ideas this season. How can you stay warm while also looking sharp? Combine a puffer and suit like at Junya Watanabe or layering multiple types of fur like on the coats at Fendi. Perhaps also an effort to sustainably make use of leftover textiles, the hybrid trend makes sure no scraps go unused! Perfect way to create and wear one of a kind pieces for years to come.

Big Sustainable Statements

I suppose for those who can’t hear the cries for sustainability, designers wanted to really make the point obvious. I absolutely must credit the house of Walter Van Beirendonck for showcasing giant logo tees on masked models with slogans regarding fast fashion, alongside discussions of equality and creativity. I must also cite J.W. Anderson’s graphic sweaters with burning houses also adorning the bodies of mannequins sitting front row at his show. At the end of the day, I think designers really are trying to make the effort to tell their consumers that their brands really do want to commit to a sustainable life style and what fun it is to see them bring those statements to life on the runway.


All Images via Vogue Runway

Featured Image via

The New Fashion Presentation

Fashion with a capital F has long been deemed unattainable, foreign, and isolating. And let’s admit, it is all of those things for any spectator peaking through shop windows or flicking passively through a waiting room’s copy of Vogue.

However, fashion is ever-changing. With the rise of Instagram, the industry has found itself in a tricky spot—at once under the gaze of more eyes than ever before (closer to her audience?) while becoming increasingly idealized in the minds of its viewers (who are constantly reminded by how different that world must be).

These past few months, we’ve seen some shows push against what is perhaps the most consistent part of every fashion week—the shows. While shows have been known to include music presentations, dancers, and more, the catwalk has always remained more or less the same. The models walk. Or stand. And the show, as it should be, is centered around the designer’s work.

Here are a few recent fashion presentations that made us re-think the typical runway. These presentations have changed their collections from something out of reach to experiences that, at the very least, compel the viewer without pushing them away.

Tomo Koizumi

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Koizumi displayed 7 out-of-this-world looks on one (1!) trans model Ariel Nicholson, who performed different scenes right in front of the typical front-row attendees and more. Koizumi told Vogue that his goal was to bring joy. His effort was well-done with an indulgence in theatrics, camp, and the celebration of one unique star.

Susan Alexandra

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On the theme of bringing joy, Susan Korn used her presentation to celebrate what would have been her !3-year-old self’s dream bat mitzvah. While the clothes are youthful and lively as is (shirts! made of multi-colored beads!), they were presented in a truly youthful setting. Korn’s party/show featured friends and drag queens as models and a rabbi to look over the celebration.

Tommy Hilfiger x Zendaya

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8,404 Likes, 30 Comments - ELLE Magazine (@elleusa) on Instagram: "Bringing this energy from #tommyxzendaya into Monday morning 💯 @tommyhilfiger @zendaya @luxurylaw..."

Held at the Appolo Theater, this collection debut was yet another display of merrymaking between Tommy and Zendaya. The set dug into a real-life old-New York jazz fest theme. Models danced down the runway next to a live pianist and a gorgeous 50s style car. Not only did the collection feature prints and colors never-before-seen from Tommy Hilfiger, but it pushed its brand’s limits even farther by displaying the pieces how they were meant to be worn—with glamorous hair and makeup unafraid of a little sweat from the dance floor.

Ralph Lauren

Similarly, another classic Americana label dove into a jovial image of the United States in the jazz age. Models first smiled and twirled amongst circular tables resembling a real jazz club. Guests wore black and white attired (Eva Chen wore a black and white Marvel sweatshirt she last-minute picked up from Target), and were able to engage in light conversation whilst watching the show. Soon, Janelle Monáe took the stage, treating the audience to a few classic tunes. But the party really started when the models came out to dance, Ms. Monáe kicked off her heels, and started scatting on tables. The video of the presentation shows a real success—with happy guests and a set designed to take you back in time.


Whether or not these new presentations will become the norm is left uncertain, but one thing is sure: fashion can include all. Fashion can be a means to celebrate life, different times. When serious, the way we present it can still lend itself more to an experience than to a display. When we look at fashion through a different lens, it doesn’t seem so untouchable after all.

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MODA Blog’s Spring 2020 Ready-to-Wear Trend Roundup

Yet another month of fabulous, head turning fashion shows has come to a close and my my my do we have some hot takes over here. A growing conversation here at MODA blog has been whether or not this notion of ‘trend’ really has much validity anymore. In an era that puts so much influence on individuality and the diversity that comes along with contemporary fashion and runway shows, is it really possible to condense the eclecticism of over a hundred designers’ visions into a measly list of ‘trends’?

Leandra Medine, Editor in Chief of Man Repeller is positively screaming with joy this season~! Image via

Leandra Medine, Editor in Chief of Man Repeller is positively screaming with joy this season~! Image via

Sure, from an analytical point-of-view, it’s possible to notice certain characters emerging on the runway, or even a propensity for certain fabrics, cuts or silhouettes on the runway, but really, what’s the point? Why bother tracking trends or trying to stay on top of what a group of visionaries happened to coalesce on this season? Why even have a report that presents these trends under some catchy phrase or poorly-worded play on words?

Inspiration.

When I first started writing these ‘trend reports’, I was coming to my own conclusions about how these groups of thematic elements seemed to deliver a larger meaning about our culture regardless of geographic limits. Be it New York or Paris, I truly believed that there were universal trends in fashion that represented universal trends in our humanity, which in some respects, I still stand by. However; more than trying to make meaning out of repeated visions, I believe what is more effective is to use ‘trends’ as a jumping off point to expand one’s own creative expression. Though I don’t like the idea of someone justifying a complete fashion overhaul solely to achieve a ‘trendy’ look, I do support the notion that taking a trend, applying its particular idiosyncrasies into one’s style and evaluating how it changes one’s persona is a powerful means of self expression and transformation.

It’s all about bold prints and hats at Marc Jacobs, image via:

It’s all about bold prints and hats at Marc Jacobs, image via:

And of course, a few over the top blooms never hurt. Image via

And of course, a few over the top blooms never hurt. Image via

This season, the question of the ‘trend’ seems more relevant than ever with designers completely pushing the boundaries of not only what fashion is and can be, but what a runway show can be as well. The sheer variety of content we received this year deservedly gives this season the title of the ‘trendless’ season, where designers seemed to really embrace the unique attributes of their brand DNA’s such that no two shows were quite similar enough to clearly identify any trends.

We saw some incredibly unique presentations of brands this year and it would be impossible for me to write this article without mentioning some standouts. For one, Tomo Koizumi showed once again at the Marc Jacob’s Atelier by having model Ariel Nicholson clad in a head-to-toe black body suit change in and out of his giant ruffled gowns, combining elements of fashion, Japanese theatre and apparently anime transformation sequences. Rihanna put on her Savage x Fenty show in Brooklyn and had it streamed online later through Amazon Prime. The show featured supermodels like Bella Hadid and Joan Smalls runway walking alongside icons like Laverne Cox, Aquaria and artists like Halsey, Migos and DJ Khaled. Among others, Rihanna also featured an immensely diverse cast of models with a whole range of body types and backgrounds, which I think truly exemplifies the direction that fashion has finally taken in the past few years.

Cara Delevigne slays in Savage x Fenty Lingerie for Rihanna’s ‘Fashion Musical’ presentation of her line. Image via

Cara Delevigne slays in Savage x Fenty Lingerie for Rihanna’s ‘Fashion Musical’ presentation of her line. Image via

Furthering that, the question of communities seemed all the more relevant this year. Starting in New York with a discussion of the American identity; I must cite Prabal Gurung and his show finale which featured models wearing sashes that read ‘Who gets to be an American?’ and designers like Pyer Moss and Brandon Maxwell who really took to their own backyards and communities as inspirations for their collections. Moving forwards, we saw such a wonderfully diverse casting across the board in all four cities: notably with Christian Siriano’s wonderful mix of races, body types and gender expressions as well as Chanel’s fabulous range of women this season. And If I’m not mistaken, I think a certain Jennifer Lopez also made an appearance at Versace, but I could be wrong, I was distracted by Donatella trying to capitalize on Google Assistant.

JLo celebrates the 20th anniversary of the gown that allegedly launched Google Images at the Versace Runway. Image via

JLo celebrates the 20th anniversary of the gown that allegedly launched Google Images at the Versace Runway. Image via

Finally, with more and more talk concerning the role that fashion plays in progressing climate change, it was so wonderful to see some designers really challenging themselves to think and create sustainably. Obviously a green-icon like Stella McCartney did not disappoint with fabulous clothes that are perfectly wearable that just happened to be eco-friendly as well, but it was uplifting to see a house like Marni making use of upcycled leathers to produce such a joyous collection that was of course, nothing shy of brilliant as well.

All-in-all, we must take these ‘trends’ less as a doctrine for what is appreciated in fashion this season, but rather utilize them as a means to expand the limits of our self expression. I find that this notion of following trends, or even in tracking or interpreting trends, comes from a desire to expand upon one’s own creativity and explore a new persona, a new style and I think as Fall begins, we can all feel free to reinvent ourselves as much as well please. At the end of the day, fashion is and has always been about enjoying one’s self and expressing who you are, whether that’s on trend or not is insignificant; we can all learn to have fun with fashion and that’s what really counts.

Designers planted many blossoms this season, among other places, Francesco Risso planted them in his models hair at Marni. Image via

Designers planted many blossoms this season, among other places, Francesco Risso planted them in his models hair at Marni. Image via

Jeremy Scott channeled Picasso at his spring 2020 show; models walked in Spanish inspired gowns with painterly Matador-esque accessories like fans and bags shaped like bulls. Image via

Jeremy Scott channeled Picasso at his spring 2020 show; models walked in Spanish inspired gowns with painterly Matador-esque accessories like fans and bags shaped like bulls. Image via

And with that, here are MODA Blog’s top trends from the Spring 2020 Shows~!

High Shine

Glossy glamor dominated the runway this season, with designers showcasing illuminating gowns, suits and accessories in shimmering shades of of gold, silver and jet black. High octane beauty seems to be a recurring theme this year in both fashion and entertainment with TV shows like HBO’s Euphoria inspiring designers to be more flamboyant in their fabric selection and inspiring consumers to follow a sequins-encrusted light towards a new frontier of extravagance. Brandon Maxwell mixed satin gowns and thick Swarovski chains to provide a high-and-low look perfect for any luxury tailgate. Demna Gvasalia at Balenciaga brought us tremendous gold ballooning gowns that we’re sure to see on the red carpet this year. And of course, who could forget Anthony Vaccarello’s glistening Eiffel-Tower show with a Smoking Jacket-clad Naomi Campbell, lit up by hundreds of spotlights in the heart of Paris? Needless to say, shining bright seems to be on many designer’s minds for Spring.

Entering the Matrix

Following a major 90’s revival, we’ve seen this interesting resurgence of matrix-esque garments strolling down this season’s runways. It’s all about blackout sunglasses paired with trenches or tailored pieces and of course minimal monochrome all the way. Perhaps it’s a rethought vision of the working woman. A powerful, futuristic woman who has a utilitarian exterior with a heart of gold? Or perhaps it’s a fun way of channeling the 90’s trend in a chic and sophisticated way. Champions of this trend were certainly Marine Serre, who despite a rainy runway, showed wonderful jumpsuits and even released a model with a dog onto the runway. Furthermore, it was wonderful to see the house of Helmut Lang come back with monochrome pieces that can bring you any 90’s fantasy you want. Through entering the Matrix, designers allow consumers to experience reality and fantasy simultaneously and isn’t that all we can ask for from fashion week?

Sheer Talent

It was the season of the body, and what better way to showcase the body than to well…show it all? Many designers made use of transparent fabrics this season, in both ethereal and also hyper sexy ways. Following so much controversy about the female body in particular this year, it’s really touching to see many designers trying to reclaim the body through their work. Of course, consumers can choose to layer the pieces over others, but I can imagine quite a few body positive activists and red carpet regulars just going balls out and freeing it all. For more conservative women, I thought Simone Rocha exemplified how to make the trend more romantic. I think we were all quite surprised to see Alessandro Michele use transparencies in a more minimalistic manner, though still with a certain Gucci eccentricity that I think is quite inherent in the brand’s DNA. And of course, I must welcome back the wonderful work of Vera Wang, who seemed to channel ballet as a source of inspiration in her monochrome mesh collection this season.

Valley of the Dolls

Last season was all about the big volume - puffed sleeves, giant balloon skirts, volume on top of volume etc. I think this season, that trend condensed itself in this Doll-dressing trend. From lacy babydoll dresses to childlike pinafores layered over dress shirts and sweaters, it seemed like dressing down translated to dressing down a few years back to a simpler, more carefree time. Perhaps a response to the strength of youthfulness in heroes like Greta Thunberg or in stars like Millie Bobby Brown or Hunter Schaffer, or maybe a subversion of modern femininity, the trend is certain individual in its nature. Kicking off this trend was the house of Bathseva who showed their collection in a lecture hall at the New York Law School with powerpoint presentations describing how clothing guards the body’s tender areas. Anna Sui also featured quite a few of these dolly ensembles among pyjamas and robes in her very airy and feminine collection. Certainly the trend may hopefully inspire people to have more fun with dressing themselves, evoking a kind of human doll dress up that not only excites me, but perhaps scares me as well.

Dot-to-Dot

Building on the youthfulness of the earlier doll trend, we saw a resurgence of polka dots this season striding down the runway. In many ways, there was a nostalgic quality to many of the looks that came down; perhaps begging a return to a more classical time in history, or perhaps a subversion of classical femininity. Regardless, I’m glad that designers are having so much fun with the playfulness of polka dots. In particular, I admired how Michael Kors incorporated the print in his incredibly patriotic and touching show on September 11th; and I also enjoyed Wes Gordon’s whimsical dotted gowns at Carolina Herrera. However, my shining star has to be Richard Quinn whose DNA really meshes well with the playfulness and nostalgia of polka dots. Style is right on the dot clearly.

All That Jazz

Rounding off this trend report is the evolution of last season’s suiting trend. There was an overwhelming presence of Jazz this season; from Tommy x Zendaya’s joyous jazz parade to Ralph Lauren’s 1920’s jazz bar; we certainly saw that jazz was on the mind of many a designer this season. Sharp suits in colourful prints and fun fabrics topped with fedoras and playful accessories completed the trend. I especially liked the really cut musical instrument accessories like the guitar bags at Moschino and Piano fanny packs at Pyer Moss. I think if there’s any trend that’s a testament to the playfulness we saw coming down the runway this year, the Jazz trend has you covered.

And that concludes our Spring 2020 trend report. Which trend was your favorite and which did we miss?


All slideshow images via Vogue Runway

Featured image via

6 Trends Straight From Fashion Week Mens Spring 2020 Shows

Gigi Hadid, Vittoria Ceretti and Grace Elizabeth might not be the first names that come to mind when someone says “Menswear Spring 2020”, but after this season’s shows, it’s clear to see that the former rigidity of a “menswear” show is truly starting to crack. Women walking the shows for menswear designers, in men’s clothing for that matter, is in some ways a disruption of what we once knew as Fashion Week Mens, but in other ways, it’s a sign of the times, perhaps the pursuit for equalizing the genders in fashion. It’s no surprise nowadays to see women rocking fabulous suit jackets, slacks and sneakers, but can androgynous style be just as well received in the opposite direction? It seems that that is the main question that menswear designers have focused on for this season: what does it mean to dress a certain gender and why should we dress one gender differently from another? In today’s world of rapidly expanding gender identities and expressions, designers are embracing the diversity of modernity. Why shouldn’t a man feel free to wear a dress as a woman is to wear a tuxedo?

At Louis Vuitton, Virgil Abloh expressed his desire for diversity through floral imagery. Image via

At Louis Vuitton, Virgil Abloh expressed his desire for diversity through floral imagery. Image via

At Versace, Catwalk queens Gigi Hadid and Vitoria Ceretti worked mens tailoring for the Italian crowd. Image via

At Versace, Catwalk queens Gigi Hadid and Vitoria Ceretti worked mens tailoring for the Italian crowd. Image via

To answer these questions, many designers seem to have studied traditionally effeminate male figures from a variety of former eras, but in particular, I noticed a focus on the 60’s this season. It’s a dash of bohemian mixed with a hint of dandy and a touch of the rebellious, sexually fluid men in the era of civil rights. My assumption in that choice is that designers want to usher in a softer kind of man to walk their runways. Rather than a typical Chad-like figure, all done up in a suit and tie, or a Bond-esque knight sporting a buzzed head and tuxedo, designers seem to be crafting unexpected heroes: the rebels, the artists, the children, etc. Overall, the direction of Spring 2020 seems to be on transparency, softness, a respect for the Earth, and a push towards being bolder, braver and more comfortable with not adhering to a strict guideline for what a man “has” to be.

American Ballerina James B. Whiteside Opened the Thom Browne Show in tricolor lipstick and custom Thom Browne tutu and pointe shoes, challenging preconceived notions of masculinity and athleticism. Image via

I must also note how glad I am that Menswear week seems to have borrowed and shared its inspiration with many of the heroes from international pride festivals around the world. I really felt like designers were looking to a community that means so much to the industry and trying to include stories of acceptance, love and pride into their collections. In pursuing a change in how we perceive men, I really do believe that fashion is making a move towards the advocation of acceptance, accepting men of all backgrounds, sexual orientations and gender identities. Moving forward, I hope to see a larger push for more diversity in size inclusivity, as even I am starting to get bored of seeing only tall, slender men strut down the catwalk.

And so, I bring to you the trends for Spring 2020 Mens.

Gardening Guys

Where florals fall short of groundbreaking, the gardening trend blossoms in its place. In the ongoing struggle to find balance between traditional menswear and non-threatening masculinity, it seems that designers have landed on this nostalgic trend. Mixing earthy jumpsuits and boilers with straw hats and boots, menswear brands are trying to find a stable combination of masculine tailoring and flamboyant personality. From Fendi’s khaki sets with baskets of clipped flowers and gardening shears to Jacquemus’ lavender paved catwalk in Provence, it seems that brands around the world are trying to cultivate a new kind of man: a domestic, hardworking, pastoral figure with a sensitive soul and a basket full of fresh flowers. Now that’s groundbreaking.

Pocket Party

The modern man should be prepared for anything and everything, and they of course must be able to carry anything they need, but the question is, in what bag? It seems that, looking forward, brands foresee the modern man carrying his phone (among other gadgets) on his person, in this utilitarian take on maximum storage. Pockets are getting larger and more plentiful to help today’s man carry everything he needs. From Prada’s tank-top pouches to Louis Vuitton’s utility vest (complete with a monogrammed box kite carrier!) we’ve seen so many designers expanding how much we can really carry with us.

Neon Dream

Finally some color! I was beginning to fear that color was dead in the menswear circuit, but thankfully we’ve gotten quite a lot of it this spring and I am not mad in the slightest. Optimistic, vibrant, and powerful, neon colors continue to have the same effect now as in the 80’s. I think that my favorite vision of neon had to come from the house of Craig Green who showed intricate cut out jumpsuits in a rainbow of lime greens, magentas and chartreuses. I must also cite Iceberg’s James Long who released fabulous neon suits that I hope to see more of in the future, it certainly makes workwear so much more vibrant for summer. The sunny seasons sure seem much more colorful, which will hopefully cut through the blues of winter to reveal a fabulous rainbow for spring.

Transparent Tops

Borrowing from a popular womenswear trend, menswear designers are showing it all with this season’s hot ticket item: the sheer top. When I first started seeing this trend pop up on runways, I definitely interpreted it as an attempt to bring a major fashion item from the queer subculture into mainstream fashion. For houses where the queer community plays such an important role, such as with Palómó Spain and Versace, it’s interesting to see the incorporation of such an iconic look; with Pride month coinciding with Menswear month, the inclusion of transparent clothing seems to be an attempt to encourage men to be bolder with their choices, literally to put themselves out there for the world to see. It’s certainly a trend that can go quite minimal but also quite flamboyant, but regardless it’s certain to make quite the statement. Hopefully, the trend will also make waves in encouraging men to be more transparent with themselves and with those around them!

Stars in Stripes

While I initially overlooked this stripes trend, I couldn’t help but wonder why we saw so many stripy looks this season. It wasn’t just striped tees or pinstripe suits, but rather full head-to-toe striped ensembles done in ways I could never imagine. When you think about it, stripes are a classically masculine trend, used to highlight the broadness and longness of the male form, but when designers overuse them as they have this season, it seems like they’re drawing attention to how that trend is being subverted. I look to a house like Chalayan, who combined stripes with loose tailoring to bring emphasis to a more feminine cut on men’s normally square body, or to a further extent, Thom Browne, who created striped paniers à la Marie Antoinette to really accentuate a motion towards acceptance of femininity in a macho-centric aesthetic. It seems like in many ways, the trend that was once associated with bolstering masculinity is now being used to subvert it, and that, to me, is something that can’t be overlooked.

Acid Trip

I’m shuddering writing about this trend, but unfortunately, despite my personal preference, it seems to have reared it’s head on this season’s runways. As an all-black-ensemble enthusiast, my kryptonite is anything tie-dye or acid wash; perhaps it’s due to my lack of camp activities as a child or my penchant for graphite and sharpie over colored pencil, but I could never get into such a chaotic aesthetic; however, I think it’s for that reason the trend is so popular. Chaos, disorder, disruption, it’s all about making an impact for today’s man and that’s what acid wash does: it makes an impact. Whether it’s MSGM’s beachy take on the trend or S.R. Studio’s fabulous freshman collection of acid wash…everything…this disorderly look seems inescapable, confusing, but equally as hypnotic, thrilling and delicious, like a true acid trip gone right.


All images from Vogue Runway

Featured image via

Trendy or Tasteless? Burberry Crosses the Line with Their Latest Collection

Fashion Month is always a highly anticipated event. Designers around the world push the limits of art and ingenuity to showcase their work. Since New York, London, Paris and Milan are highly considered the fashion capitals of the world, the designers that show during Fashion Month have a lot of control in dictating each seasons’ respective trends.

That being said, with all the amazing runway looks that are created, there are always those that don’t necessarily portray what the designer or creative director had intended. Unfortunately, this year’s fashion cycle has already had its fair share of controversial pieces and collections.

The unforgettable look; Image via

The unforgettable look; Image via

Burberry, one of the world’s major fashion houses, is currently facing a lot of backlash for their “noose hoodie.” The incident became a lot more public when one of Burberry’s models took to instagram to share her thoughts: “suicide is not fashion.” She went on the say that in the dressing room, employees had hung up one of the sweatshirts from the ceiling and were “laughing about it;” when she brought up how triggering the piece was, especially for someone like her that has experienced a suicide in her own family, she was told “it’s fashion. Nobody cares about what’s going on in your personal life, so just keep it to yourself.”

When representatives of a major label are seen acting in such a manner, it’s truly inexcusable. A multimillion dollar company should know the obvious difference between their intended “marine theme” knot and a noose, and the employees should have the respect, not only for the label they are representing, but for the audience that this piece is being marketed towards, to speak up about it.

The issue has since been addressed by the CEO, who has taken to instagram to pledge that there are newly enforced company-wide education initiatives meant to stop a situation like this from happening again. And while that does help salvage the image of the brand, the mistake they made was so obviously wrong and the design must have been approved and seen by so many people that it shouldn’t have ever hit the runway to begin with.

None of this necessarily means that an attempt to constantly evolve fashion should be slowed down or censored, but there are still unwritten “rules” that shouldn’t be broken. One of these rules is not turning suicide, or self harm and mental illness, into a joke or something ‘trendy’ for profit-earning ends.

Featured image via

Praise for Pierpaolo Piccioli

In late January, Pierpaolo Piccioli unveiled his Valentino Haute Couture Spring 2019 collection at the Hôtel Salomon de Rothschild in Paris and it was absolutely breathtaking. With supermodel Naomi Campbell making an appearance on the runway and Celine Dion being brought to tears by the collection, it is no understatement to attribute the success of Valentino’s collection to the genius of Piccioli.

Cecil Beaton’s image of ladies wearing James Charles gowns via.

Cecil Beaton’s image of ladies wearing James Charles gowns via.

The impetus behind the haute couture collection was high society. A picture of Cecil Beaton’s iconic image of elegant ladies donning James Charles gowns was pinned to Piccioli’s mood board as a source of inspiration. However, the 1948 image, while serving as inspiration, doubled as an image of high society that Piccioli wanted to change. Rather than featuring all white women, Piccioli wanted to showcase an image of high society that embraced the inclusion of women from diverse backgrounds.

Piccioli stayed true to the vision he wanted to promote: in a collection featuring 65 looks, more than half of the models were black women. One of these women included model Adut Akech, who opened the show and wrote in an Instagram post, “I can honestly say tonight was the first time I have ever been surrounded by so many beautiful black models and the feeling I felt tonight I can never explain in words.”

With the fashion industry in general shifting towards broader diversity in casting and greater inclusivity of body types, it is notable that Milan is one fashion capital that has lagged in these efforts. Valentino, through this collection and under Piccioli’s creative direction, is paving the way for other Italian brands to follow.


Feature image and images featuring the collection all via.

Fall '19 Ready-to-Wear Trend Report

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Fashion Month is always such a wonderful opportunity for artists to voice their opinions on how the world is shifting, and it seems that this season there are many things to think about and so many conversations to be had regarding what we’ve seen on the runways.

I found it to be such a creative and bold season with one big theme in mind: an exploration of femininity. So much of what has taken place in the past year has to do with the changes in how the world views women, whether that’s with regards to their historic rise to power in Congress, their taking over of major fashion houses across the world, or voicing their opinions and telling their stories. This RTW season, I feel that fashion wants to celebrate the major strides society has made in supporting and empowering women around the world.

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It was such a defiant and beautiful season, with so much focus on showcasing the power in femininity. We saw so much wonderful color and texture. Many collections were very fun and playful, but simultaneously, I think we saw a lot of joyous strength in the volume that designers were sending out. There were incredible and unique proportions to garments that we’ve never seen before, many wonderful coats that I’m certain will make quite a splash in stores next September, and very innovative executions of the fashion show from Moschino’s Price is Right performance to Saint Laurent’s Glow in the Dark extravaganza.

We’ve seen a wonderful blend of high and low that I think many designers are fixated with at the moment. There are always conversations surrounding the blending of two different cultures, but now I think we’re seeing so much discussion about the mixing of two cultures within the same city. I must cite Ricardo Tisci at Burberry, who showed a wonderful mix of dramatic coats and hoodies this season that completely emphasized an optimistic vision of togetherness and unity.

image via

image via

Finally, with the loss of one of fashion’s greatest legends Karl Lagerfeld, I think the one thing we’ve seen so much of is a respect and love for this world of fashion. While the news was certainly devastating, I have to applaud the houses of Fendi and Chanel for putting on two wonderful shows in Karl’s honor. It’s truly remarkable to see an artist’s legacy continued in such a beautiful way with so much reverence, optimism and love.

There’s certainly a lot of food for thought following the Fall 2019 fashion season, but thankfully, we can feast our eyes on all the wonders that fashion has brought us in the past month right here, right now. So without further ado, here are our top trends, straight from the Fall 2019 Ready-to-Wear runways!


The Floral Coat

We have seen a lot of florals this season, again emphasizing the focus of fashion houses on redefining contemporary femininity. I think the most effective way to wear florals for Fall (groundbreaking!) is in the form of a fabulous coat. I find that a good mix of masculine tailoring with such a vibrant, blooming print creates a wonderfully structured and playful image. I must say, this trend was completely mastered by the wonderful Richard Quinn, whose florals this season looked both glamorous and youthful, with a subversive touch in head-to-toe floral skin-suits and enormous floral bows. I also loved Erdem’s romantic take on the trend as well as Prada’s and Jacquemus’ very modern, three-dimensional blooms adorning their coats this season.


Huff and Puffs

Designers, particularly in America, seem to be all about accessible romance and whimsy this season. It seems that many houses are questioning how to dress the modern woman in a way that flatters her feminine qualities without dampening her innate strength. We’ve seen a lot of very dramatic silhouettes and really unique proportions throughout the month, but it seems that what will sell and what will catch on trend-wise will be the puff sleeve. From a looser bell sleeve at Zimmerman to a higher princess puff at Brock Collection to a dramatic ruffled puff like at Tomo Koizumi’s freshman collection, the emphasis on strengthening the body through volume, yet softening that drama through feminine draping seems to provide a framework for a new and contemporary kind of woman.


Shreds and Patches

Textural eccentricity and variation went in a decidedly bohemian direction this season with designers focusing on mixing prints through patchwork. There’s an eclecticism to the blend of so many different prints and textures, but also a carefree playfulness that I think designers want to emphasize for women this season. I must credit Michael Kors for adapting leather patchwork into fabulous, glossy long coats for fall, which I suspect will be quite popular with his customers. I also must cite the wonderful nomadic sweater dresses at Etro, which I think highlight a focus on comfort and coziness. And I must say, I certainly appreciated Rio Uribe’s patchwork denim gown for Gypsy Sport. Though it might not be the most wearable garment, I appreciate his subversive, bizarre and wonderfully wacky work.


Birds of a Feather

It seems that fashion houses have recently been very interested in how to make a wearable piece more dynamic or more vibrant texturally. I think the technique that many designers have been focusing on this season has been the implementation and construction of feathers. We saw fabulous flamingo feathers at Christian Cowan’s show and wonderful feathered gowns at Marc Jacobs in New York, and of course, who could forget YSL’s amazing glow in the dark feathered cocktail dresses? I’m interested to see how sustainability plays into the design game this year. With the Paris Good Fashion act underway, are designers implementing techniques that utilize more synthetic textiles?


Wordplay

It’s all about making a statement on the runway these days, and what’s a more effective way to do so than to have it written on your clothes? We’ve certainly seen some rather unfortunate instances of wordplay dressing (cough cough Melania Trump) in the past year, so it seems that designers are trying to really establish a clear message that hopefully won’t offend any more people. Maria Grazia Chiuri at Dior appears adamant on using text to underscore the solidarity of women while Jeremy Scott seems to use the rebellious nature of graffiti and the potential for miscommunication in language to spread a more anarchistic message. I must also cite Christopher Kane who uses the statement tee in such a fun way to explore something as complex as perverse sexual expression. Ultimately, the focus on text is a trend that I think many people can implement into their daily lives to express whatever message they hope to share, and what fun that will be for us to see.


Midcentury Mania

This season, we’ve certainly seen a lot of designers look towards hyper-femininity as a starting point for their collections. Many houses seem particularly interested in the nouveau-look silhouette that Christian Dior made famous in the 50’s and it’s quite engrossing to see how they’ve been subverting that silhouette to reinterpret a contemporary notion of womanhood and femininity. Obviously looking at how Maria Grazia Chiuri at Dior reinterpreted the look for the modern woman, we can see that femininity goes hand-in-hand with mobility, an active lifestyle and accessibility. At Jeremy Scott, we saw a mix of Midcentury silhouettes with the vigor and spirit of punk in accessories and print and at Oscar de la Renta, we saw a retention of that fabulous and glamorous structured silhouette as a means of bringing 50’s glamor into the 21st century.


Suit Yourself

Contrasting the hyper-femininity of the 50s, we’ve also seen a lot of houses looking at dressing women in more masculine tailoring. Sharp suits and wonderful trousers rendered in beautiful prints seem to hint at women appropriating a traditionally masculine trend but retaining an air of womanly power. Standouts included Julien Dossena’s decadent tailoring and prints at Paco Rabanne, Anthony Vaccarello’s super sexy suiting worn without much else, and Tom Ford’s fabulous velvet pantsuits, which seem fit for a sensual, textural look, perfect for the dynamic women of today. Though the queen of tailoring this season was definitely Sarah Burton at Alexander McQueen who presented what the house is best known for: mens suits with subversive details.


Bedroom Dressing

Finally, we come across the revival of the underwear-as-outerwear trend. So many designers seem occupied with a return to or subversion of classic sensuality. There’s something very empowering in houses choosing to focus on showcasing a woman’s lingerie, but done in a way that highlights the contemporary freedom of the modern, sexually liberated woman. I must cite Simone Rocha’s fabulous transparencies with embroidered gems imitating corsetry boning, as well as JW Anderson’s wonderful pajama sets and sheer slips at Loewe. I’m fascinated by the ways designers translate classic sensuality and bring it to a level of punk, or rebellion, and the reigning king of this must be Olivier Rousteing at Balmain, who released the most stunning denim corset I have seen in my life.


All images via Vogue.com

L.A. Brings Vegan Fashion to the Masses

Ah Los Angeles… my love, my life, my muse. The land where yoga mats, kombucha, and cannabis lotion are as ubiquitous as cars, coffee, and Juul, has just put on an event so quintessentially L.A. I could cry: Vegan Fashion Week, which ran from February 1-4 at the California Market Center.

Altiir, a vegan leather brand featured coats made of pineapple leather. Photo via

Altiir, a vegan leather brand featured coats made of pineapple leather. Photo via

Among runway shows and presentations displaying the work of fully vegan brands, those looking to go vegan, and those somewhere along the way, the week featured a “vegan world” containing animal and cruelty free food, fashion, and beauty products. Guests sampled “foie gras” (faux gras?) and “vurgers” and were exposed to multiple new and innovative textiles, such as pineapple leather, apple leather, corn plastic, and cork.

The event’s organizer, fashion industry veteran Emmanuelle Rienda, wanted to welcome “brands at any stage of vegan fashion or sustainability” so that they “can come together for discussion and extend the idea to come up with solutions that are good for people, the environment, and animals.”

This is a refreshing attitude coming from a community that so often intimidates potential members by vigorously policing the ideal vegan lifestyle. Instead of scaring people away, the event was open to everyone and anyone considering the process of, as Rienda puts it, “creating a lifestyle” of veganism.

Despite the novelty of its conception, Vegan Fashion Week lived up to its stereotypical reputation in a few ways. What can only really be described as vegan ideology often came ahead of environmental concerns about sustainability in fashion, with women in Guy Fawkes masks holding up graphic videos of animals being torn apart. And despite the focus on innovation in textiles, the conversation concerning the ethics of vegan materials is still as active as ever.

Image via

Image via

Vegan clothing, aside from omitting leather and fur from its production, can more rigorously exclude fabrics such as silk, wool, and cashmere as well. The problem with all of these exclusions is that the substitute is commonly polyester, which takes an enormous amount of energy to produce, never decomposes, and sheds microplastics when washed.

Vegan clothing can also come at the expense of style, a critical variable to many outside the diehard vegan scene. Although Rienda claims “it’s not a matter of style anymore, it’s a matter of choice,” it’s unrealistic to expect a population obsessed with fast fashion to sacrifice their habits in favor of less current, more expensive vegan products. It can be difficult to navigate the industry while also being mindful of animals, the environment, your wallet, and your personal style, which can get left out of the equation by sustainable or vegan brands.

Mistohn featured vegan capes made of pinatex, a recycled pineapple fibre. Image via

Mistohn featured vegan capes made of pinatex, a recycled pineapple fibre. Image via

That being said, many designers featured products that were stylish and eco-friendly as well as vegan. Mink, a vegan celeb favorite, featured shoes with corn plastic soles and the vegan shoe label New Rock is beginning to make sneakers with pineapple leather and are looking at trying out coconut fiber soles. And even with cork and pineapple flying about, it was a Fashion Week after all, and there were several show-stopping as well as wearable looks.

Price continues to be a recurrent problem, however; the lowest priced top from the eco-friendly brand Enda was $295, for instance. As technology improves and more companies respond to growing consumer demand, we can only hope that will change.

Rienda describes vegan fashion as, “such a grassroots movement,” but the most effective movements are bottom up as well as top down. With brands like Chanel, Burberry, Versace, and Gucci, as well as the entirety of Los Angeles, pledging to stop the production of fur and exotic skins, the vegan movement is trickling from the top too. The music artist and vegan icon Moby is confident in the change that Vegan Fashion week can spark in the fashion industry and around the world, pointing out “if you look at the last hundred years, how many world-changing movements have come from Los Angeles? This is the incubator for trends that spread into and change the rest of the world.”

With my beloved L.A. leading the way, it’s time for pineapple, cork, and corn to become as ubiquitous in the fashion industry as polyester, fur, and leather are now.

Featured photo via Enda USA.

Spring/Summer 2019 Fashion Month Trend Report

From cowgirls to clowns, or Drag Queens to the Queen of England, from stoop labor to a real post-show birth and labor, the past four weeks of Fashion month have been completely saturated with a wide array of wonder in anticipation of Spring. It truly seems like designers across the board are celebrating and honoring the craft of fashion and focusing their creativity towards garments that are not only fabulous, but wearable, refined and comfortable as well.

With the growing presence of global activist organizations carrying conversations about social issues around the world, it seems like fashion has placed itself at an interesting crossroads. It’s impossible for fashion to separate itself from what is going on around it, yet the way these issues are tackled appear to fall under two main categories.

On the one hand, we see designers focusing on addressing reality head-on through powerful imagery and straightforward statements, such as with Kirby Jean-Raymond of the brand Pyer Moss; conversely, we see designers focusing on escapism and a rejection of urban life, perhaps as a means of subversively discussing messages about society while still hanging onto the brand aesthetic, as with Stella McCartney’s 90’s revival show.

It seemed every show paid incredible attention to the handmade elements that make fashion special. From hand-knitted crocheted sweaters at Sonia Rykiel, to an evening gown made completely out of paper at Dolce & Gabbana, we’ve been given an insight into fashion and creativity at their finest.

The tangible elements of the garments felt secondary to the needs of the person who would be wearing them, and it’s so uplifting to see designers truly honoring their customers rather than just the clothes they wear. For the woman who values comfort, there’s Jeremy Scott’s flannel kimono or Chloé’s cozy knits; for the woman who wants to stand out, there’s Marc Jacob’s infinite ruffled gown or Gucci’s sexy snakeskin slip; and for the woman who lives in her workout gear, there’s Off-White’s chic Nike collaboration with matching ball-gown skirt and custom Nike sneakers.

In the end, it seems that the greatest take-away from this season is to just be present in who and where you are. Designers appear to be projecting a message of finding strength in individuality when difficulties arise. It truly feels like fashion is taking a stance, declaring: “this is who I am, take it or leave it” and it’s wonderfully refreshing to see.

And with that, here are our top trends straight from the runways of Fashion Month Spring/Summer 2019.

White-Out

While spring is normally saturated with vibrant colors and bold prints, another way to make a statement this season is by donning full-monochrome white. Notably, Virgil Abloh at his Track and Field show for Off-White demonstrated the strength in monochrome mobility. From Sarah Burton’s white knights in leather at McQueen to Jeremy Scott’s six-man wedding gown at Moschino, the message is clear: you don’t need vibrant pigments to show your true colors.

Ruff and Tumble

Ruffle up! Prepare for spring’s most dramatic trend! Marc Jacobs sent down a battalion of models in huge, dramatic, clownish ruffles that still managed to maintain an eccentric chicness in their grandeur. Whether they’re multicolored, stacked and spotted (Dolce and Gabbana) or more minimal (Prabal Gurung), ruffles are a fun way to add some playfulness to any look for Spring.

Lunatic Fringe

Whether you’re a disco queen or looking to take a walk on the wild side, embrace fringe for spring! Longchamp’s 70th anniversary show showed that fashion and movement go hand-in-hand and what better way to embrace the dynamism of style than by venturing into fringe. Long strands (like at Jacquemus) or short (at Oscar de la Renta); made of suede (Coach) or sewing needles (Moschino), keep the party going and allow you to shimmy into spring with a little bit of music and a whole lot of attitude.

Loose-Knit

Leave it to Angela Missoni to show us how to rock a sweater for summer. Keep it loose, keep it casual and above all, keep it comfy. Young houses like Eckhaus Latta and Gypsy Sport are embracing the craft of knitting and crochet, yet done in a way to keep us cool for the summer. You can layer loose knits over a swimsuit à la Chloé for a beachy, St Tropez vibe, or throw them over a dress like Louis Vuitton for a more sophisticated look; but it certainly seems like sweater weather is no longer limited to fall and winter.

Smells Like Teen Spirit

Come as you are: out in bloom or confined in a heart-shaped box. All apologies, but grunge is back for spring! Flannels, distressed denim, band tees and sneakers: we can assure you that spring is going to be a laidback season. From the runways of New York to Paris, designers seemed to really have comfort and attitude on their minds. Jeremy Scott showed us all how to update check for the contemporary era, while Junya Watanabe took denim to places where it has never been before. The most grunge-tastic interpretation of the trend had to be from VFiles, who somehow managed to combine all the angst of 90’s grunge with the contradictory chicness and exuberance of Cher Horowitz, from flannel jumpsuits to a denim wedding gown: for this gift, we feel blessed!

Scale-Up

Animal prints seem to be perpetually circulating in fashion and it appears as if something scalier will be slithering its way into our wardrobes this spring. Tom Ford showed us sensual crocodile-skin coats and corsets while Saint Laurent plastered snakeskin patterns on shorts and boots, perfect for festival season. Outstanding looks also included Virgil Abloh’s neon green snakeskin patterned puffer jacket and Armani’s chartreuse snake-skin blazer, adding a wild touch to sportswear for spring.

Beach, Please!

Summer isn’t summer without a trip to the beach and it seems like designers from all over were adopting that ethos. Simon Porte Jacquemus took fashion week to the French Riviera, while Karl Lagerfeld brought Paris to the C-Side at Chanel. Anthony Vaccarello at Saint Laurent revealed a bold new line of swimwear and Thom Browne set sail for a beach with some very peculiar inhabitants. There were wonderful straw hats, headscarves, beach ball bags and sandals perfect for a day trip to the shore, and even a gown or two with nautical and aquatic motifs for a sunset stroll by the sea. And if we’re taking a note from the Etro show, which featured professional surfers Victoria Vergara and Maribel Koucke, it seems like the general consensus for spring is to grab your board and bikini and hang ten!

Beyond the Veil

Perhaps one of the more romantic (and random) trends for spring, veils and masks have been popping up all over the runways this month. From Rodarte’s ghostly beauties at the New York City Marble Cemetery to Gareth Pugh’s voguing creatures at the Two Skin Club in London, it seems like facial obscurity is running rampant for spring. Who can blame these designers? At a time like this, sometimes the best remedy for dismay is to keep oneself protected beneath a mask. Or perhaps anonymity is simply a gateway into exploring and revealing a completely new and unfamiliar persona!


All images courtesy of Vogue.com

Saudi Arabia's First Fashion Week

Last month saw Riyadh’s Ritz-Carlton Hotel host Saudi Arabia's first ever Fashion Week, with Jean Paul Gaultier and Roberto Cavalli headlining the event.

Now, it ought to be noted this event was not wholly out of the blue. Under Crown Prince Mohammed bin Salman, Saudi Arabia has been leaning into progress and modernization. Religious police have been reined in, cinemas and concerts have been reintroduced, and women are allowed back behind the wheel. 

A piece by Mashael AlRajhi, who collaborated with Nike on its first runway hijab | Image Via

A piece by Mashael AlRajhi, who collaborated with Nike on its first runway hijab | Image Via

Yet, the occurrence of a Fashion Week still feels like a major leap for a country where women's fashion is literally regulated by law. A leap whose size is made clear by the fact that the shows themselves were open to women only, with outside photography barred.

The goal of the event was big. The country is looking to posit itself as a Paris or Milan. Of course, it might take a while to get there, but Saudis within the industry feel garnering such recognition is doable. As Layla Issa Abouzeid (Saudi Arabia's director for the Dubai-based Arab Fashion Council (AFC) organizing the event) put it “[when] people go to Paris on the Paris Fashion Week, the hotels are completely fully booked. I want to create the same demand in Saudi Arabia, twice a year. I want to create a platform for the local designers to go worldwide.”

And many designers are appreciating that, including Lebanese creator Naja Saade who travelled to Riyadh to exhibit his couture collection.

I’m very proud to participate in this first edition of Arab Fashion Week in Saudi Arabia, because it’s a part of the revolution of the women in this country.
— Naja Saade

The goal doesn’t stop there. The AFC wants to introduce fashion courses, internships and scholarships to Saudi Arabia and develop a fashion district in Riyadh–a seemingly logical step given Saudi princesses are some of the biggest collectors of haute couture worldwide.

Jacob Abrian, AFC founder and chief executive, spoke of how in the past Arabs have had to leave their countries to have fashion careers, but this event empowers and encourages them to stay. “I was always asking myself, why do us Arabs have to travel abroad to find our future? Why can’t we find our future in our own countries?”

Jacob Abrian, founder & chief executive of the Arab Fashion Council | Image Via

Jacob Abrian, founder & chief executive of the Arab Fashion Council | Image Via

Arwa Al-Banawi, a Dubai-based Saudi designer who displayed a contemporary collection of tailored pieces intertwined with ancient Bedouin references, believes a Saudi Fashion Week could be another step on the road to female empowerment in her country; “It is so important for us that we have our own fashion week—historically I have always shown in Dubai or Paris but as a Saudi woman I really wanted to be a part of this moment,” she said. “Yes it has been the most challenging event I have ever been a part of, but the only way to look is forwards not backward. Next time will be better.”

Clockwise from top left: Designs by Mashael Alrajhi, Arwa Al Banawi, Basil Soda & Jean Paul Gauthier | Images Via 

This undercurrent of hope was woven into much of the week. Yes, a Fashion Week is a big step. But it is still just a step, the nation is most certainly not about to steal Paris’ crown as the fashion capital of the world. There were still restrictions on what types of clothes could be exhibited at the show–no cleavage, nothing above the knee and nothing too transparent. And the lack of men and the floor length abayas worn by the guests felt challenging, especially given the fashion and design context.

It certainly seems that Price Salman is steering Saudi Arabia towards more modern and liberal waters, but progress is rarely as quick as one would hope. This week was important, but real change will only stem from shifts behind the scenes. And those less visible transformations can be much, much harder to catalyze. The question is, are the country and its people ready?

Feature Image Via.

Trend Forecasting at NYFW F/W 2018

While millennial pink and power-suits reimagined for the modern day working woman continue to dominate catwalks and all the latest collections, a handful of emerging trends are really starting to take hold as NYFW draws to a close. As we look to Paris, London and Milan Fashion Weeks to either affirm the creative messages of their American counterparts or introduce an entirely new palette of colors, patterns and silhouettes to consider for the fall/winter season, take a moment to soak in the surprisingly cohesive aesthetic vision of this season's NYFW. 

Whether it emerged in the form of a silken blouse or a head-to-toe wool business suit, mustard yellow dominated this season's color palette and vision for the fall/winter 2018 season. Many designers chose to downplay the color's shock value, often presenting the hue in the form of sophisticated silhouettes fit for the office place, cocktail hour or even a more formal event.

Bottega Veneta; image via

Bottega Veneta; image via

Derek Lam; image via

Derek Lam; image via

Prabal Gurung; image via

Prabal Gurung; image via

Matching sets appeared everywhere this season, from brands as disparate in vibe and vision as Sies Marjan (laid-back, ethereal, color packed) to Victoria Beckham (sophisticated, mature, impeccably tailored). From DVF's 70s, pajama inspired looks, to knit sets perfect for the office and even a handful of skirt based looks fit for a night out, designers seemed intent on sending out complete, cohesive looks. 

Sies Marjan; image via

Sies Marjan; image via

Diane von Furstenberg; image via

Diane von Furstenberg; image via

Victoria Beckham; image via

Victoria Beckham; image via

Our obsession with the 90s continues with the endless array of slip dresses spotted on the runway this season. From more experimental takes on the classic silhouette that grappled with deconstructed fabrics and pattern-mixing, to sleek and timeless takes, as seen at Brandon Maxwell and Jason Wu, it appears as if slip dresses have fully integrated themselves into our wardrobes for everyday wear.

Jason Wu; image via

Jason Wu; image via

Brandon Maxwell; image via

Brandon Maxwell; image via

Prabal Gurung; image via

Prabal Gurung; image via

A quick cheat that makes you automatically look more fashionable? Dress all in one color. Monochrome ensembles were spotted in almost every collection this season, regardless of the designer's color of choice or inspiration source–a testament to the sheer versatility (and ease) of this approach to dress.

Sies Marjan; image via

Sies Marjan; image via

Tibi; image via

Tibi; image via

Jason Wu; image via

Jason Wu; image via

Everyone was seeing red this season, perhaps in response to the overwhelming amount of playful pastel pinks we've been forced to look at in recent months. When you think of it, it comes as little surprise that designers would look within the same color range for something new, yet not entirely unfamiliar to base their latest collections around. Bright, boisterous reds played out as more mature, sensual and confident statements on the runway alongside their millennial pink counterparts.

Prabal Gurung; image via

Prabal Gurung; image via

Brandon Maxwell; image via

Brandon Maxwell; image via

Tibi; image via

Tibi; image via

Colder weather doesn't necessarily call for covering up according to some designers. From the classical elegance of Cushnie et Ochs to Alexander Wang's bossy bad asses, mini skirts seem no longer the sole domain of Hedi Slimane. Whether you pair it with sheer tights or sky-high pumps, expect to see shorter hemlines come fall.

Cushnie et Ochs; image via

Cushnie et Ochs; image via

Dion Lee; image via

Dion Lee; image via

Alexander Wang; image via

Alexander Wang; image via

Ever since Brock Collection won the CFDA Fashion Fund two years ago and received Anna Wintour's stamp of approval, the brand has been successfully spreading its vision of bucolic beauty–and it seems like many brands are taking note. Everyone from the experimental Gypsy Sport to mainstays like Ralph Lauren took cues from Brock Collection's affinity for all things off-the-shoulder, ruffled, ruched, breezy and maidenly.

Gypsy Sport; image via

Gypsy Sport; image via

Ralph Lauren; image via

Ralph Lauren; image via

Jonathan Simkhai; image via

Jonathan Simkhai; image via

Feature Image via Vogue Runway

Well, That's Cheeky!

Have you ever felt so angsty that you wanted to channel your inner grunge by wearing a Thrasher t-shirt (even though you’ve definitely never even read a page of that magazine) and throwing on some distressed jeans? Yeah, it’s just SO edgy, but it's not edgy enough anymore! Well, fashion pushes boundaries and I present to you, absolutely no boundaries. It's the next big thing.

Image Via

Image Via

 

 

Thong jeans!

Yes, that’s right! These jeans more or less look like your distressed jeans either had existential crises of their own and are now destroyed or you accidentally got into a war with a barbed wire fence and made it out with just enough fabric to pass for a piece that is entirely overall straps and zero percent overalls. No longer do you have to worry about whether your jeans are proper enough for the school dress code or your parent’s approval. These “pants” are everything you’ve ever wanted: wearing pants while not wearing pants. How cheeky!

 

Image Via

Image Via

Thibaut grabbed the spotlight at Amazon Fashion Week in Tokyo with this piece, which adds to my long list of things that confuse me (see Balenciaga’s entire existence lately and all other variations of strange jeans here). Paired with some intentionally dirty sneakers, this outfit caught the attention of Twitter.

I’m an avid no pants person, but that personal philosophy of mine is specifically restricted to the safety of my own room due to societal perceptions on propriety. There’s no way I would want to wear these let alone catch anyone wearing these literal strips of denim.

Maybe I’m just too traditional? Considering the fashion industry nowadays, anything seems to pass.

I have too many questions here. Are you supposed to be wearing spandex with these? What season is this appropriate for? Thibaut, the brand responsible for this … atrocity, reserves it for their SS18 collection. But, really? By the time I can digest this piece, I'll probably see at least one brave soul donning this across the quad. I'm praying that day never comes.

What do you think?

Feature Image Via

Balenciaga, Go Home. You're Drunk

The last - and only - time I wore (read: was forced to wear) Crocs was at a spa when I was in Prague, feeling adventurous. I slipped on the sad excuse for shoes thinking about the flammability of the material and kicked them off for the alternative of letting fish nibble at my feet as a strange excuse for a foot massage. Trust me... the latter was better.

Naturally, when I think of Balenciaga, I think about the classic city bag. It's an edgy take on a casual bag. I respect it even though I don't think I could pull it off. Fashion is about comfort and expression. Balenciaga is a frontrunner in style. Demna Gvasalia, the brand's creative director and also head designer of Vetements, has done some pretty neat stuff in his career. Neat, but strange. After the brand's latest collaboration with Crocs, I'm not totally sure what's going on: but I'm mad.

Who did it better? Balenciaga?Image Via

Who did it better? Balenciaga?

Image Via

... or Skechers?Image Via

... or Skechers?

Image Via

The 2017 release of the Triple S sneaker looked more like a Skechers Shape-Up painted by kindergartners learning their primary colors, but I didn't think too much of it. Maybe Gvasalia was trying to put commentary on the absurdity of pop culture. It's sort of like a meme, but of course Gucci did that better.

The collaboration with Crocs, the world's most effective form of non-hormonal birth control, just doesn't make any sense. It's crude, childish, clunky, and even more laughable than the Balenciaga FRAKTA bag.

Image Via

Image Via

Image Via

Image Via

Look at those horrific styrofoam chunks and all their glory. They're tainting the wondrous stage of Paris Fashion week, reminding people that yes... mediocrity is fine and there are people willing to pay exorbitant amounts of money on Crocs.

What really leaves me at a loss for words is that the only touch of Balenciaga in the collaboration is the embellishments ("jibbetz" for those of you better versed in Croc accessories lingo) that fit in the holes on the top of the platform Crocs. If we're really talking functionality, isn't the point of Crocs to maintain those holes so your feet can breathe? What is Balenciaga thinking? Gvasalia, I'm demanding answers.

Feature Image Via