Creativity in Quarantine: Glenys McGuire and Ruby Bromberg

To remedy the feelings of isolation that manifest all too often in the time of COVID, University of Chicago first-years Glenys McGuire and Ruby Bromberg took matters into their own hands through a DIY creative project in their Woodlawn dorm rooms. The project? First, a meshing of wardrobes. Second, a photoshoot.

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Since arriving on campus this past September and forging an undeniably strong friendship, Ruby and Glenys have discussed sharing closets on multiple occasions. While they each maintain a distinct style aesthetic -- Ruby’s more of a 70’s chic and Glenys’ more of a general vintage/retro influenced by London street-style -- their closets speak to the same overall vibe while perhaps reflecting different eras. In other words, they maintain a similar aesthetic, but present that aesthetic rather differently, resulting in two distinctive styles. 

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While Ruby likes to rock tighter-fitting clothes with a statement piece or two, Glen’s outfits make a statement more through the cohesion of its different elements and thus through the entire outfit as a single entity. Such a contrast was the impetus behind the meshing of wardrobes -- to dress each other in items they wouldn’t normally wear, allowing themselves to push each other out of their comfort zones with respect to how they would normally present themselves. For example, Glen dressed Ruby in baggier clothes that Ruby would not have worn on a normal day.

Ruby found that she was able to love the way she felt in this entirely different cut; she still felt sexy, even without sporting a tight-fitting pair of pants. Glen, however, relies more on her face and hair (rather than her clothes) as manifestations of her femininity. Back in London, she typically wore darker, baggier clothes that some would characterize as “androgynous.” Yet through this meshing of wardrobes, she tried on more colorful, tighter-fitting pieces and too found success and joy in how she perceived herself.

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Such an intellectual and stylistic fusion could only be memorialized with a photoshoot. As they experimented with different outfit combinations, Ruby and Glen spoke at length about body image and the extent to which curating their own aesthetic makes them feel prouder and more confident in their bodies. While snapping solo pictures of each other, the conversation soon drifted into one about the juxtaposition of oneself with others in group pictures. The shots they captured below thus served to draw attention to the flattery inherent in individual, rather than collective beauty. 

This project, of creating remarkably well-composed images with just a dorm room and one other person available, was for Glenys and Ruby not only a means of creative expression, but also a morale booster amidst a time of emotional frustration and isolation.


Missed the Launch? View the Latest MODA Mag Here!

Leave fall quarter behind you and destress with the latest and greatest MODA Magazine Winter 2019 issue! Check out the online version on Issuu here!

Photographed by Natalia Rodriguez

Photographed by Natalia Rodriguez

The MODA Mag team would like to thank all of the stores, businesses and individuals involved in creating, producing and printing this issue.

Cover image photographed by Daniel Chae.

Get to Know the Photographer: Isaac Tannenbaum

My name is Isaac Tannenbaum, and I’m a third year double-majoring in Cinema and Media Studies and Environmental and Urban Studies, also with a minor in Architectural Studies. I’m involved with MODA, Fire Escape Films, and contribute every so often to the Maroon Arts section. Outside of classes and RSOs, I love watching movies at Doc, taking pictures (obviously, haha) developing film in the darkroom, cooking, and hanging out with my dogs when I’m home.


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Why did you pick up photography?
I’ve always been interested in photography—I remember fighting with my siblings over our family’s DSLR on every vacation we would take until we started getting our own cameras. I guess what I’ve always been drawn to is that photography captures and makes permanent instantaneous moments; when everything is so temporary and fleeting, I feel like I just want to capture anything and everything. I fell out of photography for a while towards the end of high school and my first year here, but as I started to notice how I was photographing everything on my phone—and I really mean everything, as evident by the 15,000 pictures I have on my iPhone right now—I realized how much I missed it, and this led me back to the art and medium and I’ve stuck to it since.

Where do you draw inspiration? 

My interests mainly lie in documentary photography, in capturing the stories in individual moments. I draw a lot of inspiration from photographers like Alec Soth and Rachel Boillot, Vivian Maier and Bill Cunningham, as well as Annie Leibovitz.  

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What do you like to shoot with?
I shoot mainly on 35mm film. I tend to use black-and-white film because I can develop it myself with the resources on campus here, and because I love how it forces me to play with shadow and grayscale contrast. I’m attracted to film as a medium because I really think it has a photographic quality that digital simply doesn’t achieve. It’s sort of like the grain itself creates a depth and texture by actually capturing the moment instead of trying to digitally reproduce it. There’s also something about the materiality and physicality of it, of being able to work with your hands on a photo from start to finish. And when you have something like a dusty negative or water marks, you’re reminded of that materiality and that it really is working with materials and a physical element that digital just doesn’t have, even if the blemish impairs the clearness of the image. It’s like the imperfections are part of the art itself… I just think that analog photography and film as a medium is just really cool and more interesting than digital.

[With film photography] it’s sort of like the grain itself creates a depth and texture by actually capturing the moment instead of trying to digitally reproduce it.
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What are some of your favorite subject matter?

My first draw towards photography (and film production, for that matter) was to eventually work on crews for projects like Planet Earth, so wildlife photography is definitely one of my favorite subject matters. It’s great when I have the opportunity to travel and see the animals in person, but that’s a rarer, special occasion. I also enjoy portraiture, especially when I get to capture a really genuine, candid emotion. I like to talk with the people I’m photographing when shooting, hopefully getting them to laugh while I take the pictures, because I think that nothing posed comes close to that unaffected happiness that comes with laughing, and I love making a transient feeling like that permanent in photography.

What’s your favorite shoot you’ve ever done?

I think my favorite shoot so far was my entire trip to the Okavango Delta in Botswana because it gave me the chance to shoot wildlife photography like I’ve never done before. Like, you can’t compare the squirrels of Hyde Park (which I absolutely love shooting, and you can often see me running after squirrels with my camera) to lions on the plains and elephants by the watering holes.
Do you have a favorite location to shoot in Chicago?

I don’t really have a favorite location to shoot, but I do enjoy getting to use photography as a way of exploring different and unique areas of the city.

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All images courtesy of Isaac Tannenbaum. View more of his work on his website or Instagram.