Brand Spotlight: Parks Project

Parks Project’s clothes are a must-have for any lover of the outdoors. A leader in sustainable fashion, the brand makes clothes with the aim to protect and preserve the United States’ parklands. A portion of the profits from their clothes goes toward funding projects in national parks; so far, Parks Project has raised over $1,300,000. Different clothes support different projects and parks. For instance, the Proud Cloud Explorer Tie Dye Tee helps support Stonewall National Monument, while the Yosemite Mod Dome Night Tee funds the Yosemite Conservancy’s visitor programs.

A large part of Parks Project’s appeal comes from its transparency. Not only is the brand transparent about where the money raised from each item of clothing goes, they are also highly transparent about their production practices. Parks Project takes great care to produce its clothes as sustainably as possible. For instance, they manufacture their clothes locally in California to minimize transportation and use more efficient dye machines that use 7 times less water than traditional machines.

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Co-founder Keith Eshelman was inspired to create Parks Project during a restoration volunteer day in the Santa Monica mountains. The experience spoke to him deeply, and he felt a desire to create opportunities for more people to get connected to nature. He felt that he could accomplish this through creating Parks Project and allowing people to help fund park conservation projects through buying clothes.

Eshelman is clear that the funds that Parks Project raise for the national parks has a direct impact. He explains,

“There are so many amazing stories out there and the best thing about our approach is hopefully we can find a project, promote it, fund it, then move onto a new one.” - Keith Eshelman, Co-Founder
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Parks Project’s care for the national parks is reflected not only in its practices but also in their products. The brand primarily focuses on clothes, producing a variety of hoodies, tie-dye t-shirts, and more that feature drawings inspired by environmental features like the national parks. For many consumers, it can be difficult to find clothes that align with both their values and style. However, Parks Project provides an excellent solution to this problem, designing clothes that are visually appealing due to their cute graphics, bright colors, and overall whimsy.

In addition to clothes, the brand also sells home decor, artwork, mugs, camping gear, and other products that would be perfect both for personal use but also as gifts. These products feature the same aesthetic sensibility as Parks Project’s clothes - the home decor provides a beautiful way to display one’s love for the environment, while the camping gear possesses a unique flair from what we typically see in such equipment.

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Parks Project has also collaborated with notable organizations and brands. Some of the brand’s most popular clothes are from its series of collaborations with National Geographic. The latest collaborative collection is themed around butterflies and features a number of shirts, hoodies, and hats. In the past, Parks Project has also collaborated with Girlfriend Collective REI, Outdoor Afro, Sierra Club, and more.

Check out Parks Project at parksproject.com!

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Zara Turns the Brand "Blanding" Crisis on Its Head

Yet another fashion brand has decided to revamp their logo, but (thankfully) unlike its peers, Zara is staying away from the basic, blocky sans-serif that is currently dominating the fashion industry. Last month, the fast fashion conglomerate got rid of the wide spaces between the logo’s letters in favor for a tightly squished serif text.

The decision is the latest in a long line of recent brand logo overhauls, often in response to appearing more universal and “millennial friendly.” Such changes, commonly called “blanding,” have been widely criticized by consumers as logos have long been seen as part of the very essence of fashion companies’ identity and aesthetic ethos. Logos are certainly a large part of the appeal of a luxury brand to the everyday shopper, particularly as a marker of wealth, style or refinement.

The serif font revolution. Image via

The serif font revolution. Image via

Zara’s new logo is certainly cluttered, not exceptionally unique and maybe hard to read, but I give it an A for effort. While every other brand is trending toward a unified minimalist direction, Zara went big, busy and bold, reflecting their recent efforts to climb the fashion industry clout ladder. Let’s just count our blessings that Zara’s brand isn’t changing in favor of a more “simplified” and “balanced” approach (looking at you, Hedi Slimane… justice for Celine’s accent aigu!).


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Brands to Know: Eugene Taylor Brand

Eugene Taylor Brand is based right here in Chicago, and apart from selling sick contemporary streetwear at an affordable price, the brand is driven by values of inclusion and diversity that are refreshingly unique in the fashion world and necessary in our current political climate.

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Created by Letesha Renee, a young Chicago designer, Eugene Taylor Brand lies at the intersection of fashion and activism. Unlike any other fashion brand I have encountered, the Eugene Taylor Brand promotes distinct values beyond that of sustainability and ethical production, promoting a bold worldview rather than supporting one or two political causes or radical practices.

Eugene Taylor Brand's mission is to "create a profitable, honest, global fashion community" and  "promote equality and create harmony through collaboration and love while providing quality products that reflect these values." Through the seven collections that the brand has released, these values remain the common thread.

Eugene Taylor Brand's most recent collection is called "4All," designed with the intention of "bringing different ideas, colors, fabric, and people together to create harmony." The athleisure-ish collection features track pants, hoodies, t shirts, and more, all with bright color blocking (and some velour. What more could you want?). The pieces are relatively affordable, with prices ranging from $10 to $165.

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Check out the Eugene Taylor Brand here and peruse their Instagram here.

All images via Eugene Taylor Brand.

The Versace Pre-Fall Show Is a Strut down Memory Lane

Versace held its first ever pre-fall show in New York last Sunday–the birthday of its late founder, Gianni Versace. Coming off of this year’s Emmy winning series about his death, plus the House’s acquisition by Michael Kors, the show was as much a tribute to the brand’s legacy as it was a statement on its future identity. It was held in the New York Stock Exchange headquarters, to underscore the house’s centrality and vitality in the fashion community. Also included was a to-scale Statue of Liberty flame gilded in Versace gold.

At such a tumultuous point in history, both in the world and within the fashion community, the House of Versace has been consistently looking towards the past. The 2018 spring show featured a reunion of epic proportions as the brand’s iconic 90’s supermodels reclaimed their runway.

Carla Bruni, Claudia Schiffer, Naomi Campbell, Cindy Crawford and Helena Christensen. Image via

Carla Bruni, Claudia Schiffer, Naomi Campbell, Cindy Crawford and Helena Christensen. Image via

Versace’s nostalgia for legendary moments carried through in the show, as a replica of That J-Lo Dress was featured in the closing. (Fun fact: Jennifer Lopez’s 2001 deeply plunging Grammy dress was so notorious and frequently searched on the Internet that it inspired the creation of Google Images). The cherry on top? In this year’s show it was modeled by Amber Valletta, who had debuted the original palm leaf patterned dress on the 2000 Versace catwalk.

The safety pin dress–one of Versace’s most storied creations–also saw a revamp for the show. The concept debuted in the ‘94 Spring Ready-to-Wear show (worn on the very same legendary models mentioned above) and was immortalized by Elizabeth Hurley at the 1994 Four Weddings And A Funeral premiere. Held together primarily by oversized safety pins with a plunging neckline it was–and remains–one of the most daring and creative LBDs ever. This year’s pre-fall show included homages to the concept, reinterpreting the ‘94 concept on various looks featuring the same gold pins scattered among black dresses, skirts, shirts and jackets.

Elizabeth Hurley (1994). Image via

Elizabeth Hurley (1994). Image via

The safety pin dress reimagined. Image via

The safety pin dress reimagined. Image via

Animal prints were also heavily featured and Gianni’s classic gold and black baroque/animal print fusion made a particular splash, in a few looks meshed with American flag-esque stars in reference to the “concrete jungle” of New York. Nods to Versace’s first-time host city didn’t stop there, as plenty of New York inspired looks were featured in the show. From uptown socialites to downtown artist types to tourists, the NYC melting pot carried a significant portion of the show’s theme, even featuring a Versace’d “I Heart NY” tee.

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In their own words, the fashion house remains rooted in their history, bright colors, wild prints and Gianni and they’re fully committed to using this history to fuel their future as artistic pioneers.

VERSACE MEN AND WOMEN SWIFTLY MOVE BETWEEN THEIR MYTHOLOGICAL WORLD AND THEIR COSMOPOLITAN, MODERN CITY LIFE.
THEIR CONFIDENCE? ABSOLUTE.
THEIR SECRET? A VERSACE STATE OF MIND.

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