A Cocolicious Song for Your Winter Playlist

For those who haven’t strolled out into the Chicago air lately, might I tell you one thing: It is cold. Not just any sort of cold weather. This is an aggressive cold. A cold with an unwavering vengeance on anyone who dares to stand in its charted path. To step out into the wind is to feel as if you are being attacked by a barrage of knives.

Which is to say that winter is upon us, frigid and depressing and — might I add once again — cold. Life feels so dim. The sunlight is out for as long as it takes to get your rapid Covid test results, and the nights are never-ending. Sad music playlists are in, and the world of vibrant pop music has fallen into hibernation while we await the glorious summer sun to return with some fun summer anthems. Yet, despite all the snowy gloom and being stuck in our rooms, the hyper-pop music of Kim Petras has descended through the dark clouds of winter to banish our blues with a bright taste of summer fun.

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For those unaware of pop artist Kim Petras, here is a quick introduction.

Born in and raised in Germany, Kim Petras is a singer and songwriter of pop, EDM, dance-pop, and other pop-adjacent genres. Having risen to popularity in the last five years, working with artists such as Charlie XCX and Kygo, Petras signed with Republic Records in 2021 and plans to release her first album in 2022. Recognized as a trailblazer for the transgender community, having transitioned publicly in 2008 at 16. Kim Petras represents a part of LGBTQ+ community underrepresented in mainstream music and makes music for her people— her music having gained extreme popularity in the queer night scene especially.

Her newest single, “Coconuts” released two months earlier, to the shock of her fans, on December 3rd, 2021, following the release of “Future Starts Now” a few months prior. “Coconuts” is a provocative and bubbly pop anthem that celebrates the body, sexuality, and summer.

But before I continue this article, I feel I must affirm what you may be thinking: Yes. This song is a tribute to Kim Petra’s breasts and breasts in general. You may feel jarred by this, but you will come to love it.

“Coconuts” is inarguably a memorable song. With a bouncy melody with whimsical summer-themed lyrics underscored by a deep bassline. While the song follows the well-constructed pop formula—a formula that we are all well acquainted with—the song is fresh and ripe among other pop songs. There isn’t a song closely comparable to “Coconuts” adding to the song’s exciting authenticity. That is to say, the song has created a league of its own. Which in part are thanks to its unabashedly creative and fruity sexual euphemisms, implanted in every sentence and the cherry on top. 

The euphemisms are addictive. Paired alongside the melody, they stay with you. They are bubbly and encompass many points of reference. A great example is in the first pre-chorus: “So juicy and so ripe / You wouldn’t believe (believe) / I give em’ different names / Mary-Kate and Ashley”.

In this single pre-chorus alone, Petras draws from many places. From comparison to fresh fruit to a reference to notable twins Mary-Kate and Ashley Olsen, there is an array of summer and pop culture references is throughout. Nearly every line in the song is a euphemism, and even the song title itself “Coconuts” has its own sexual connotation. While the song’s euphemisms are on the nose, the song isn’t always direct about it. Instead, Petras opts to masquerade her song as a bubbly radio-friendly anthem that with each listen becomes a colorfully energetic homage to breasts.

The song has exploded online because of how it blurs the line between blatant sexuality and summer anthem. Everyone on Twitter has taken a taste and clearly adores this carbonated summer anthem of sexual confidence that Kim Petras.

Besides the song itself, what is so brilliant about “Coconuts” is its release. The timing is perfect. What makes “Coconuts” the perfect release is that it aims to subvert what we expect of the winter music market and does so by flawlessly opposing the status quo. Following the mass release of somber and contemplative music, such as Adele’s 30, the release of “Coconuts” is the fantastical summer sun among the slippery ice. It is surprising, bright, and opposes winter so avidly. Also, followed by the release of a lyric video and dance video, reminiscent of 2010’s music videos (i.e., California Girls by Katy Perry). By giving us a winter pop anthem, Petras makes the song stand out in our minds and in the eye of the media. She has held our attention with her coconuts.

But Petras knows this. Framing the publicity for the single around this idea of a winter anthem as seen in this Paper Magazine shoot.

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Kim Petras clearly understands her audience, what they want, and how to best deliver it. She is irreverent and unabashed and has defined her career in her choice to do what she pleases. Petras isn’t afraid of pushing bounds, having performed “Coconuts” at the EMA’s in Hungary despite intense laws regarding “vulgar content,” risking an arrest. “Coconuts” is a prime example of Kim Petras and her understanding of what her career needs while best releasing this song so it can be best appreciated. “Coconuts” is the perfect winter anthem. That is what is so brilliant, as it pushes past our expectations. We don’t expect pop during this time of year, yet I can’t imagine a winter without “Coconuts” bringing the sun we need. It encapsulates escapism, giving the world three minutes to live Kim Petras’s coconut-filled world of summer and sex when the world outside can’t be that.

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Bring Concerts to You

Digital media has been winking at us from the doorway of the future for quite some time. We are getting absorbed into our mediatic worlds, screens, and, in a way, moving into our artificial embodiments, day by day. The popular notion of the “future” was just a matter of innovation, yet, with quarantine lingering and dragging everything behind, we happened to become social animals with a silly pun on the word social. Just when I said OK, I got used to these online classes, online clubs, online shopping, online, online, online...things, I witnessed friends having online therapies, online relationships, and more online things that once, supposedly and ideally, would have occurred face to face. I am not in a position to blame or glorify what we are witnessing now. However, I can talk about how I am, well, taking advantage of the situation.

Music is a must in my life. When one listens to music as much as I do, we inevitably begin to delve into its multifaceted world, slowly drifting away from the popular tracks and the good, old classics. Language barriers disappear. And this search for the unknown, a search that satiates the hunger for more, starts. Yet, when your playlists consist of music from more than a hundred countries, you obviously miss out on the concerts that happen all over the world. And, unfortunately, when you live in a place where none of the popular artists stop by in their tours (I am not even talking about that local indie group we all admired once), you start to look for solutions. Now, the very same solutions for the live shows conundrum apply to today’s quarantine situation.

For all my beloved friends that long for concert halls and any artistic medium of music, here are two of my alternative choices of music sharing platforms. Enjoy!

ONSTAGE K

ONSTAGE K is a Korean music-sharing platform that attracted me first because of its cubic aesthetic, which encapsulates the artists it presents. While Korean pop is dominating the music industry with its singers, dancers, and performers, ONSTAGE showcases contemporary artists that are as talented but less famous than mainstream K-pop bands. If you are looking for authentic, indie/R&B/Rock, chill, and energetic music performed by amazing artists with a live band in the background, creating this artsy and carefree atmosphere, I suggest you check ONSTAGE videos.

TINY DESK

The Tiny Desk Concerts idea came when a music editor was so frustrated after a concert that he couldn’t hear anything because the crowd was cheering all the time. Later, he jokingly suggested to Bob Boilen, the now host of the Tiny Desk, that he should invite artists to perform at his own desk (read the story). Well, history happened. Now, behind a “tiny desk,” in front of a silent crowd, world-wide musicians perform their tracks in the most instrumental way possible. Having more genre and language options than ONSTAGE, Tiny Desk is definitely a must-listen.

Hope you had a nice time!


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A Love Letter to Music Videos

As a child I was always captivated by music videos and I continue to really enjoy watching them to this day. Music videos provide an additional layer to a person's experience of a song. Maybe the video is meant to evoke how the artist feels when they think of their song. Maybe it's meant to show another element of the music. A really good music video has at times changed the ways that I feel about songs. They can also be spaces to experiment with fun concepts because they are usually really short. It’s always really disappointing when great songs have music videos that end up being major flops.  

Music videos are also a really low stakes way of consuming media. A bad film might waste an hour of your life, a bad music video will waste maybe four minutes. And if you find a video that you love you can watch it many times over. I still return to some that I loved when I was a child.

Here are a couple of my favorite music videos:

INTRUDERS- Jessie Reyez

In this stunning video Reyez tackles colonialism, transforming a song that could have easily been about a jealous lover into a reflection on oppression and its afterlives. Reyez is animated into a woman defending her sentient island home from intruders.

Happy- Mitski

Mitski really delivers on the plot twist in this video. For the entire video you think that it will go one way for the carpet to be pulled from under you a mere couple of seconds before the end. Trust me it’s worth a watch.

Cellophane- FKA Twigs

This video follows much less of a traditional narrative than the rest of the videos on the list, but the concept is gorgeous. The video begins in a room with FKA Twigs displaying her insane athleticism through pole dancing. The world then falls away and she descends taking viewers on an incomprehensible journey that will have them coming back again and again to this video.

Yo Perreo Sola- Bad Bunny

Bad Bunny has never really cared for fitting within tired gender norms; this entire video is a middle finger to homophobia and toxic masculinity. He dances in drag through most of the video serving some of the looks of the century. He ends the video with a message about respecting women.

thank u, next- Ariana Grande

The vibes are just impeccable. Watch for the tea on Ari’s ex’s stay for the nostalgia. This music video is full of references to the romcoms that many of us grew up with as she details her own personal journey of growing up and accepting breakups.  

Wet Dreamz- J. Cole

Dog lovers rejoice, this one is for you. How do you adapt a song about discovering your sexuality in adolescence? We follow the love story of two puppies who meet and fall in love in a really cute reference to puppy love.

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