Fashion's Obsession With Unconventional Collaborations

The fashion industry has increasingly welcomed odd and surprising collaborations in the past years, which have successfully attracted customers' attention and increased overall engagement with brands. These collabs have allowed brands to attract a new clientele as well as spread brand awareness. Take, for example, Travis Scott's recent collab with McDonald's. Since when is McDonald's fashionable?? Despite a somewhat unconventional fashion collab, the collection sold out, and Mcdonalds saw 5x more engagement on their Instagram when posting about the collab. This seems to be a successful business model.

Customers who went to McDonald’s were able to buy the Travis $6 meal deal, including a quarter pounder with cheese and bacon, medium French fries, bbq sauce, and a sprite. Travis' go-to McDonald’s order. Nothing particularly spectacular. However, the meal deal came with a limited edition merch drop, including t-shirts, jackets, hoodies, and even homeware items like a McNuggets pillow. All the items are sold out and are currently being resold for thousands on websites like Grailed.

It’s interesting to think about customer behavior and, ultimately, the value of limited edition collabs for brands. In McDonald's’ case, they gained new customers, specifically Gen Z, and new brand credibility. In light of the success that Mcdonalds saw with the Travis collab, McDonald’s just launched a new collab with J Balvin in an attempt to reciprocate the same success. McDonald's is recognizing that Gen Z is interested in seeing different brands work together that the key to growing their business and increasing revenues is through these types of creative ventures.

Although fashion collabs, not just McDonald’s, have been widely successful, there is still a limit to what a customer will accept. Fundamentally, the two collaborating brands need to share the same values and present some story to the customer. The notion of getting a celebrity to slap their name on a product doesn't suffice to secure a successful collab. For example, Travis has a strong connection to McDonald’s because he remembers eating it all the time as a kid. Equally, by creating the 6 dollar meal deal, he let his fans into his life and shared a unique/personal detail of who he is as a person. The hoodies and advertisements themselves tried to engage the customer by using the slogan "What's up the world- yeah, You! I'm Travis Scott. This is my McDonald's order."

It appears that collabs are not about finding two brands with similar aesthetics but rather radically different aesthetics and, through that, engaging new customers. The success of collabs is seen across the industry. We must only look to Virgil Abloh, who is notorious for countless collabs with brands like Ikea or Evian—brands one wouldn't immediately associate with high fashion.

Producing capsule collections and having limited edition drops exponentially increases the Hype around a product. The customer feels that if they don't buy it now, they will never have it as there is only so much available stock. For example, one of Travis' McDonald's rugs is retailing for 2500 dollars on Grailed right now. That's only because it can't be found anywhere else and will never be sold again. Beyond this, we can look at previous success models such as the Moncler Genius launch, which features limited-edition drops and collabs with designers like Raf Simmons or Simone Rocha. This business model has proved extremely successful for Moncler because customers feel the need to buy it now or lose out. It's as if customers have fashion FOMO.

Other interesting collabs include Hm and Versace, Crocs and Christopher Kane, Supreme—which puts its name on pretty much anything: a brick, MetroCard, calculators—Juicy Couture and Vetements, World food program and Balenciaga. The one thing they all have in common? They were so successful that each collection sold out. Ultimately, it will be interesting to see what new collabs will appear in the future and how the business model of unconventional collabs will continue to be implemented throughout the industry.

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Source: https://www.highsnobiety.com/p/collaborati...

2054: Virgil Abloh's Glimpse Into The Future

Louis Vuitton has recently unveiled a new collection led by artistic director of menswear Virgil Abloh. The 2054 capsule manifests the visionary’s take on what LV could potentially put forward in the future—years into the future, that is.

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2054 is a nod to both the past and future, the current century and the ones before us, and the title of the collection represents just that: 200 years after 1854, the year the house was created. Here, the designer is looking to fashion the future of menswear through what he calls “accessomorphosis,” or pieces that can function as both accessories and practical garments. Abloh has continuously proven that functionality and luxury fashion can go hand in hand.

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“The joke in the studio is the word ‘accessomorphosis.’ When does an accessory morph into a garment? We’ve all been carrying these cross-body bags. It’s a modern way of dressing. From day one, I was like, let’s own this space. It’s the type of garment that can be distinctly Vuitton.”

Virgil Abloh, Via Financial Times

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Looking to the future through a contemporary lens, the collection features 14 pieces constructed with 100% water-repellent material, including utility vests, cargo trousers, hiking boots, puffer jackets, and more. Two notable garments—the Keepall and bucket hat—do wonders at emphasizing the utilitarian and multifunctional aspect of 2054: the Keepall can transform into a sleeping bag, while the bucket hat folds in on itself as self-storage. 

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The iridescent rainbow motif that flits throughout the collection channels the vision of dystopia to its core. From covering the entirety of the utility vest to the subtle way it appears on only the LV logo of the bucket hat, this monogram is reminiscent of an oil slick, lustrous yet hard-wearing. When styled and surrounded with blacked-out pieces, the sleek and prismatic motif is nothing close to demure: it’s bold and conspicuous in the best way possible.

Who knows what the future will hold in terms of style? By channeling his vision of dystopia, Abloh was able to use his contemporary, innovative collection’s spin on tech-wear to take us there. 

2054 pre-launched on November 15th, and after an exclusive pre-sale at LV’s Lee Gardens in Hong Kong on December 3rd, will launch globally later that month.

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MCA Hosts Virgil Abloh

Chicago is home to some of the most famous museums in the country. The Museum of Science and Industry, the Shedd Aquarium, the Field Museum, and the Art institute of Chicago were all built and opened in honor of the historic World Fairs held here in the city. Each of them were built in a uniform style to make them cohesive with the grounds of the fair. The groundbreaking Museum of Contemprary Art was a newcomer onto this formidable landscape of museums, built with the support of the city.

Since the MCA’s founding by a group of artists, critics, dealers, and collectors in 1967 the museum has taken an innovative interdisciplinary approach to art that led them to showcase then up-and-coming artist Jeff Koons as well as Roy Lichtenstein, Andy Warhol, and Frida Kahlo among many others. On June 10th they will be opening an exhibit that exemplifies their dedication to showcasing unconventional, trendsetting artists no matter what medium they work in. “Figures of Speech” will be the first museum exhibition devoted to the work of Virgil Abloh, founder of Off-White and current Men’s Artistic Director of Louis Vuitton.

Abloh in his Off-white store. Image via

Abloh in his Off-white store. Image via

The exhibit will be an immersive experience that explores multiple aspects of Virgils designs and career. The cross-disciplinary offerings will interact with architecture, music, fashion, and design to give the viewer an in-depth look at the designer. For those of you staying in Chicago, the museum will host a talk between Virgil and the exhibition curator Michael Darling on August 24th where they will discuss the process of developing the exhibition and their shared artistic interests.

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It’s heartening to see fashion being taken seriously and put in conversation with other artistic disciplines. I hope that we can see more exhibitions like this in the future that let people look at fashion as an expression of artistic identity.

Admission to the exhibit comes free with admission. You can pre-order tickets here


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